Despite some great visuals and chilling moments, flawed production value and a limited script prevent “Bad Apples” from achieving all it sets out to …continue reading Reel Review: Bad Apples (2018)
The Calling Hours Horror Podcast 2.11: The Horror of YouTube and the Demonetization of Horror Content (Air Date: 1.23.18) ABOUT THIS EPISODE: As our special …continue reading The Calling Hours 2.11: Horror of YouTube
With all of the creep factor, tension and detail of a Hitchcock story — and a twist worthy of Rod Serling — “Desolation” delivers! …continue reading Reel Review: Desolation (2018)
“The Autopsy of Jane Doe” starts with an intriguing premise and follows through with solid execution, backed by a stellar cast and compelling performances. …continue reading Take Two Review: The Autopsy of Jane Doe
“Like Me” is a highly disturbing, visually arresting portrayal of a society obsessed with Internet fame that feels uncomfortably real. Like Me is an …continue reading Reel Review: Like Me (2017)
Guillermo Del Toro’s latest project is a traveling exhibition that houses the filmmaker’s most personal collections, films and notebooks. “The reason I create monsters …continue reading Guillermo Del Toro: At Home with Monsters
“House of Salem” impresses with its dedicated ensemble cast and dark material that avoids exploitation and schlock James Crow’s House of Salem defies genre …continue reading Reel Review: House of Salem (2016)
With eye-popping visuals and some technical mastery, Psychotic! has just enough in its favor to keep slasher fans entertained Written and directed by Maxwell …continue reading Reel Review: Psychotic! (2016)
The Scarecrow Walks…and Teaches Art! Maybe. A Review of “The Stranger and the Scarecrow” by Brooks Healey, Illustrated by Bill Negron When I first …continue reading Now Read This: The Stranger and the Scarecrow
Twelve horror films that could have been better were it not for one major misstep How many times have you eagerly headed to the …continue reading So Close (Horror Movies That Needed A Little More)
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