We explore the profound, unnerving, unique horror masterpiece “Possession” — a film that will mess you up in the best possible way. On this episode …continue reading Final Girl on 6th Ave: Possession (1981)
A cerebral thriller with stunning photography and a highly capable lead actress, “Crypto Shadows” is a must-watch standout from GenreBlast. When the internet entered …continue reading GenreBlast 2023: Crypto Shadows
We chat with Dread Central’s EIC, writer, filmmaker, and podcaster Mary Beth McAndrews — one of the most influential women in horror. On this vengeance-filled …continue reading Another GD Horror Pod: Mary Beth McAndrews (Dread Central)
Superbly crafted and executed, the stylish “Medusa” is a fierce and fearless feminist horror film that pierces the heart of toxic faith. I remember, …continue reading Wrath of Woman: Medusa (2023)
We brave the brutal and nasty French horror film “Martyrs” and explore why it’s often cited as one of the greatest horror films of …continue reading Final Girl on 6th Ave: Martyrs (2008)
It’s a horror triple feature as we discuss the creative Netflix anthology horror series “Fear Street” with guest Mx Bel Morrigan. In what is …continue reading Creepy and Geeky: The Fear Street Trilogy
A remarkable addition to a popular franchise, “Prey” stands on its own as a smart, sophisticated horror film with a strong feminist bent. When …continue reading One year later, “Prey” stands strong as feminist filmmaking
When it comes to killer short horror, few fests quite pack the punch as GenreBlast, and the 2023 slate of standout shorts is no …continue reading GenreBlast 2023: 10 Great Horror Comedy Shorts
The sumptuous gothic tale “The Moth Diaries” is a potent meditation on female sexuality, longing, repression, and inner darkness. The Moth Diaries (2011) has …continue reading Digging Deep: The Moth Diaries (2011)
A staggering work of feminist horror, “Birth/Rebirth” finds familiar inspiration in the depth and emotional weight of “Frankenstein”. Birth/Rebirth wastes no time making an …continue reading Reel Review: Birth/Rebirth (2023)
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