Help fund “The Return of the Näcken”, a dark, surreal fantasy/horror film about a forlorn water demon and her lonely quest for human souls. …continue reading Fund It Friday: The Return of the Näcken
We talk with writer, director, producer and actress Natasha Pascetta about her horror short “Road Trash”, working with horror royalty, and much more. Natasha …continue reading Behind the Lens: Natasha Pascetta
Short and sharp but full of vivid intensity, Vidar Tevasvold Aune’s “Creaker” is a simple but masterful contribution to the horror genre. With a …continue reading Horror Short Review: Creaker
“Road Trash” is a fun and inventive debut horror from Natasha Pascetta, who proves herself to be a talented filmmaker both in front and …continue reading Cinepocalyse 2019 Horror Short “Road Trash”
Award-winning filmmakers bring their unique vision and visual style to indie horror platform Alter with the exceptional series “The Outer Darkness”. I recently received …continue reading Alter Presents “The Outer Darkness” Horror Series
Help support indie horror and contribute to “Black Mass”, a new gothic short horror film about demons and depression now crowdfunding on Kickstarter. If …continue reading Fund It Friday: “Black Mass” (A Gothic Horror Film)
Who’s the kill king of horror? Super fans of “Halloween” and “Friday the 13th” attempt to answer that burning question in this exceptional fan-made …continue reading Michael Versus Jason – The Complete Saga
Davide Melini’s “Lion” is a masterpiece of short horror — a socially conscious, dark fantasy/creature feature that’s as entertaining as it is eye opening. …continue reading Horror Short: Lion (2017, Davide Melini)
With talented actors and a witty and chilling script, “That Night” packs quite a punch in its short run time, proving why sometimes less …continue reading Horror Short: That Night (2019)
One of our favorite female filmmakers, Cindy Maples, returns with a fun and funny new short about the horrors of online dating, “98.6%”. Last …continue reading Horror Short: Cindy Maples’ “98.6%”
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