The Soskas’ remake of David Cronenberg’s “Rabid” is dripping with reverence for its predecessor, while proudly marching to the beat of its own drum. …continue reading Reel Review: Rabid (2019)
With a stellar cast and an interesting premise, “Portal” doesn’t deliver anything groundbreaking but won’t leave audiences wholly dissatisfied. Portal (2019) tries to throw …continue reading Reel Review: Portal (2019)
“Labrys” is a short that blends heart and horror in a queer-positive, feminist take on vengeance, love, and romance in the modern age. Labrys …continue reading Ax Wound Film Fest: Labrys (Short)
We chat with writer Isa Mazzei about her new book “Camgirl” — a staggering autobiographical companion piece to her 2018 smash indie horror hit, …continue reading Interview: Isa Mazzei, Camgirl (2019)
Though panned upon its release a decade ago, “Jennifer’s Body” can now be appreciated as the smart and subversive feminist horror film it really …continue reading In Defense Of: Jennifer’s Body (2009)
While it doesn’t build a better mousetrap, “Prey” still lends a new addition into the ‘murderous island creature’ sub genre that deserves more screen …continue reading Reel Review: Prey (2019)
“The Ball” from LA-based, indie filmmaker Zach Lorkiewicz’s Youtube channel Count the Clock is a darkly hilarious look at the horrors of high school. …continue reading Short Horror Review: “The Ball”
To conclude our series on online censorship, we talk with three creators in the indie horror space about how career damaging this kind of …continue reading Social Censorship: Indie Horror Creators Speak Out
“Blood Paradise” is a stylish arthouse horror film with a surprising humor and Hitchockian suspense, but its strange sensibility isn’t for everyone. One of …continue reading Reel Review: Blood Paradise (2018)
As part of our censorship series, I talked with the Soskas about their Twitter ban, their thoughts on censoring art, and why we should …continue reading Twittergate 2019: Interview with Jen and Sylvia Soska