People have long treated horror films with derision and disrespect. But the genre is vast, and many films are both amazing and distinctly horror. …continue reading Defending Horror: 25 Films Deserving of Genre Status
The Soskas’ remake of David Cronenberg’s “Rabid” is dripping with reverence for its predecessor, while proudly marching to the beat of its own drum. …continue reading Reel Review: Rabid (2019)
With a stellar cast and an interesting premise, “Portal” doesn’t deliver anything groundbreaking but won’t leave audiences wholly dissatisfied. Portal (2019) tries to throw …continue reading Reel Review: Portal (2019)
“Labrys” is a short that blends heart and horror in a queer-positive, feminist take on vengeance, love, and romance in the modern age. Labrys …continue reading Ax Wound Film Fest: Labrys (Short)
We chat with writer Isa Mazzei about her new book “Camgirl” — a staggering autobiographical companion piece to her 2018 smash indie horror hit, …continue reading Interview: Isa Mazzei, Camgirl (2019)
Though panned upon its release a decade ago, “Jennifer’s Body” can now be appreciated as the smart and subversive feminist horror film it really …continue reading In Defense Of: Jennifer’s Body (2009)
While it doesn’t build a better mousetrap, “Prey” still lends a new addition into the ‘murderous island creature’ sub genre that deserves more screen …continue reading Reel Review: Prey (2019)
“The Ball” from LA-based, indie filmmaker Zach Lorkiewicz’s Youtube channel Count the Clock is a darkly hilarious look at the horrors of high school. …continue reading Short Horror Review: “The Ball”
To conclude our series on online censorship, we talk with three creators in the indie horror space about how career damaging this kind of …continue reading Social Censorship: Indie Horror Creators Speak Out
“Blood Paradise” is a stylish arthouse horror film with a surprising humor and Hitchockian suspense, but its strange sensibility isn’t for everyone. One of …continue reading Reel Review: Blood Paradise (2018)