Though panned upon its release a decade ago, “Jennifer’s Body” can now be appreciated as the smart and subversive feminist horror film it really …continue reading In Defense Of: Jennifer’s Body (2009)
While it doesn’t build a better mousetrap, “Prey” still lends a new addition into the ‘murderous island creature’ sub genre that deserves more screen …continue reading Reel Review: Prey (2019)
“The Ball” from LA-based, indie filmmaker Zach Lorkiewicz’s Youtube channel Count the Clock is a darkly hilarious look at the horrors of high school. …continue reading Short Horror Review: “The Ball”
To conclude our series on online censorship, we talk with three creators in the indie horror space about how career damaging this kind of …continue reading Social Censorship: Indie Horror Creators Speak Out
“Blood Paradise” is a stylish arthouse horror film with a surprising humor and Hitchockian suspense, but its strange sensibility isn’t for everyone. One of …continue reading Reel Review: Blood Paradise (2018)
As part of our censorship series, I talked with the Soskas about their Twitter ban, their thoughts on censoring art, and why we should …continue reading Twittergate 2019: Interview with Jen and Sylvia Soska
As the talented Soska Sisters face an insidious form of artistic silencing, we explore the twisted censorship of horror, media, and the social narrative. …continue reading Silencing the Soskas and Why You Should Care
We talk with the talented filmmaker behind the new, must see indie horror film “Trespassers”, Orson Oblowitz and discuss what makes this film so …continue reading “Trespassers” Review and Filmmaker Interview
Gigi Saul Guerrero brings a blood-soaked, socially-fueled nightmare to Blumhouse’s “Into the Dark” anthology and its newest installment, “Culture Shock”. Ever since Blumhouse announced …continue reading Cinepocalypse 2019 Review: Culture Shock
Following the Midwest premiere of Pollyanna McIntosh’s “Darlin’”, I was fortunate to discuss the film with the writer and director herself. We spoke about …continue reading Cinepocalypse Interview: Pollyanna McIntosh