A smart subversion of the sub-genre, “The Silent Party” is a thoughtful and compelling exploration of machismo and female exploitation. Before we begin, viewers …continue reading Reel Review: The Silent Party (2019)
Something weird this way comes! Get ready for the one-of-a-kind Dutch film fest known as BUT (BUTFF), celebrating films off the beaten path. The …continue reading BUT Film Festival 2022
We tackle a controversial subject, urge you to reconsider a sub genre you may have avoided, and discuss “Ms .45” and “Violation”. THIS EPISODE: …continue reading Not Your Final Girl: Wet Nightmares
We root for the ‘Good For Her’ woman no matter what she does. She’s just like other girls — but only the other girls we …continue reading Just Like Other Girls: the ‘Good for Her’ Woman
Netflix’s much buzzed about “The Perfection” is an absolutely indescribable mind trip, which isn’t quite sure of its intentions. Or is it? Ok. This …continue reading Take Two Review: The Perfection (Spoilers)
Meir Zarchi digs up old hostilities and new players for “I Spit on Your Grave: Deja Vu”, the official sequel to the controversial 1978 …continue reading Reel Review: “I Spit on Your Grave: Deja Vu”
Revenge is part 42nd Street exploitation, part rape/revenge thriller, and an orgy of Tarantino-esque style — yet none of those things at all. First-time director …continue reading Reel Review: Revenge (2018)
Rape-Revenge 2.0: Digging Deep to Explore How Hard-Hitting Films Like REVENGE and M.F.A. Are Changing the Controversial Horror Subgenre “Most often in the horror …continue reading Rape-Revenge Horror for the #MeToo Generation
Get My Gun is an absolute triumph of a film — a smart and compelling script that is flawlessly executed by way of three powerhouse …continue reading Cinepocalypse 2017: Get My Gun
Written and directed by Latina filmmaker Lou Simon, 3 offers a surprisingly original take on revenge horror — adding elements of psychological horror, mystery …continue reading Reel Review: Lou Simon’s “3” (2017)
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