Don’t let the sequel curse fool you; “Curse III” is only a sequel in name and boasts a strong, supernatural story with rich African …continue reading The Daily Dig: Curse III Blood Sacrifice (1991)
A strong cast and an avant-garde director make “Body Snatchers” — a remake of a remake — different than most of the regurgitated swill. Alien clones …continue reading The Daily Dig: Body Snatchers (1993)
“In Their Skin” is a slow and unoriginal home invasion horror that boasts a very talented cast, given sadly little to chew on. A …continue reading The Daily Dig: In Their Skin (2012)
You can skip this installment of the Amityville series unless drab cinematography and someone playing with light switches scares you. A lamp from the …continue reading Daily Dig: Amityville The Evil Escapes (1989)
“Calvaire” is a quirky French film that teases with a few sub-genres but settles on downright discomfort as its thematic tool for horror. A …continue reading The Daily Dig: Calvaire (2004)
Over-the-top scenes of nudity threatened to make this laughable, but the plot of “Arabella” attracted me enough to keep it interesting. A writer uses …continue reading The Daily Dig: Arabella Black Angel (1989)
A good mystery, stellar cinematography, and heavy drama make for an upper-echelon installment to the Giallo sub-genre. The death of a private investigator leads …continue reading The Daily Dig: My Dear Killer (1972)
A crime thriller without the cops, the Welsh thriller “Darklands” relies on little blood and gags to get its point across. A reporter investigates …continue reading The Daily Dig: Darklands (1996)
“Stage Fright” is an uneventful slasher about a theater company and the murder of its actors by the least mysterious killer in cinema. An …continue reading The Daily Dig: Stage Fright (1980)
Before Art but after Killer Klowns, there was Bobo, the clowned-mask slasher of the hyper-sexualized 80s film “Out of the Dark”. A killer stalks …continue reading The Daily Dig: Out of the Dark (1988)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Send in a voice message: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/message
Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
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