Decent practical effects and makeup, plus an interesting story of how the film was saved from obscurity, make this one fun but nothing more. …continue reading The Daily Dig: Scared Stiff (1987)
This supernatural horror film pushes a pretense of depth with great potential but ultimately struggles to float above boring. In search of a hidden …continue reading The Daily Dig: Livid (2011)
An emotional and quirky story of childhood existentialism and escapism, this British, fantastical horror haunted me when I was young. A young girl struggling …continue reading The Daily Dig: Paperhouse (1988)
A brutally transcendent film that takes every prisoner it can get its grubby, anarchic, bloody mitts on and squeezes the life out of you. …continue reading The Daily Dig: Martyrs (2008)
A quintessential eighties supernatural slasher that cares little about making sense and only about boobs, blood, and screams. A horror film star dies of …continue reading The Daily Dig: Frightmare (1983)
Much of the potential is left on the table as the celluloid fills with boring drama instead of reaping, raptures, and the blood of …continue reading The Daily Dig: A Day of Judgement (1981)
A dopey early slasher that will look very familiar with its formula of young hikers, woods, and a machete-wielding maniac killer. A group of …continue reading The Daily Dig: Don’t Go in the Woods (1981)
This sleazy slapstick comedy horror centers around some navy boys in the Pacific getting their kicks hanging with vampiric hookers. A vampire runs a …continue reading The Daily Dig: Vampire Hookers (1978)
An incomprehensible story is covered up by scenes of torture, fantastical blood, and, of course, an ample amount of nudity. A recently paroled woman …continue reading The Daily Dig: The Girl in Room 2A (1974)
The creature effects in “Isolation” are small-scale but brilliantly executed, and the cast is watchable enough to warrant hours of story. Genetically modified cows …continue reading The Daily Dig: Isolation (2005)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Send in a voice message: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/message
Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
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