A beautiful, modern, allegorical werewolf tale with arthouse sensibilities, “Wulver’s Stane” requires focus but rewards you handsomely. Wulver’s Stane is an Indie drama that …continue reading Reel Review: Wulver’s Stane (2024)
“Make Whole” is a horror short promising a dark and twisty tale taking aim at our culture’s paradoxical expectations of women. With Make Whole, …continue reading Fund It Friday: Make Whole (Horror Short)
With stellar performances and a plot that pulls no punches, “Femme” nails the tried and true thriller formula filtered through a queer gaze. Femme …continue reading Reel Review: Femme (2024)
Liz Kerin returns with “First Light” — the hotly anticipated sequel to “Night’s Edge” — a riveting and powerful new take on vampire tropes. …continue reading Now Read This: First Light (2024)
While it may not offer many frights, “The Jessica Cabin” is a haunting look at loneliness that shines with queer representation. The Jessica Cabin …continue reading VOD Verdict: The Jessica Cabin (2022)
We look at the subversion of the Male Gaze and queerness depicted in Oz Perkins’ dramatic religious Horror, “The Blackcoat’s Daughter”. The monstrous Feminine …continue reading Digging Deep: The Blackcoat’s Daughter
The dark and thrilling queer romance “Next of Kin” is the latest must-read from the master of wickedly satisfying endings, Elton Skelter. Hey, ghosts, …continue reading Now Read This: Next Of Kin (Elton Skelter)
The inconsistent writing in “Departing Seniors” can’t completely kill the vibe of this slasher’s great concept and fresh perspective. Horror has seen plenty of …continue reading Reel Review: Departing Seniors (2024)
Thematically rich with a sumptuous blend of beauty and barbarism, the artfully crafted and wonderfully unique “She is Conann” is a treat. French filmmaker …continue reading Reel Review: She Is Conann (2023)
We welcome actor and genre filmmaker Roger Conners to discuss his well-received feature debut “Rebirth” and his upcoming feature “Meat”. Welcome director, writer, and …continue reading The Chamber: Roger Conners
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