There’s so much great new horror that it’s hard to keep up, but these five genre staples never go out of style and may …continue reading Five On It: Essential Horror
The Stigma of Maternal Brooding: Digging Deep into Themes of Motherhood, Melancholia, and Mental Health in David Cronenberg’s “The Brood” Roger Ebert described David …continue reading Digging Deep: The Brood (1979)
The Japanese answer to Jaws takes us through a haunted house like none othercontinue reading Hallowed Halls of Horror: Hausu (1977)
This week we utter the cry of a creature hurled over an abyss with 1961’s The Innocents.continue reading Hallowed Halls of Horror: The Innocents (1961)
We’re starting off this series with the 1942 classic, Cat People, the movie that invented the jump scare, and dared to shroud the monster in shadow.continue reading Hallowed Halls of Horror: Cat People (1942)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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