This week, we embrace a necessarily evil and discuss our least favorite films of the past year and what may be the worst of 2024 horror.

We covered over fifty movies that were released in 2024. Naturally, some were better than others. Unfortunately, when you cover as much stuff as we did, some things end up being bad—as in, REALLY bad. Over the next two weeks, we will discuss the films from 2024 that stood out the most. First things first, we are messing with the worst.
It’s not often that movies make us mad. Bored or frustrated, sure. But actual anger? That rarely happens, especially when you deal with indie cinema as much as we do. We understand that budgets will not be as high, there are fewer resources, and creativity is not limited to the script.
Indie films get a pass from us when it comes to special effects, limited locations, and even the acting when the budget requires far less seasoned professionals. But sometimes a movie will leave us with a very bad impression. (Blake is still fuming over Soft & Quiet.)
This year, we covered two of the most infuriating films we have ever seen.
One of them seemed like it was an intentional slap to the face of anyone who has ever claimed to like horror movies. It made a point of making things very personal. The other was a documentary that stubbornly refused to back up any of its claims, had nothing interesting to say, and even lied to the audience.
Thankfully, there were films that managed to just simply be bad. We discuss a thematic trilogy that was a great idea in theory, a supposed body horror movie that is more confusing than captivating, and a script that sounds like it was written by an edgy fifteen-year-old. We also discuss at least one film guaranteed to polarize our audience… because plenty of people defend it with a fiery passion.
Every week AIPT Movie Editor Nathaniel Muir and his cinema partner in crime Blake Heath discuss indie and genre movies you have have never heard of, the ones you cannot hear enough about, and the ones you never want to hear about again.
It has been a bad week for people who enjoy physical media. ‘GTA VI’ is not getting a physical release, Playstation games are not getting physical releases after next year, and Sony deleted over 550 movies from user libraries. We also talk about the awesome summer box office.
Sometimes it seems like the days of good old fashioned extreme horror are gone. It was fun to look for movies that everyone talked about but few people had actually seen. In today’s world, it is easy to find any movie that you have heard about. And the worst offenders are nowhere near as bad as they are supposed to be.
At least that is our opinion. But can you blame us? When we hear that movies like ‘Terrifier’ are supposed to be extreme horror, it is hard not to think this way. We decided it was time to take a look back. We literally went to a category that have previously made us feel uncomfortable.
‘Ebola Syndrome’ is a Category III Hong Kong movie that checks off all the boxes for extreme horror. This movie has all the trigger warnings. Despite the constant racism, misogyny, and assault, there is a shockingly good film here. It is funny, creative, and well-done. But is it worth watching?
Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.
Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.
Music in the background from https://www.FesliyanStudios.com




Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror.















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