This week, we review two wildly different films, the newly released “Bootyology” and the upcoming true-crime thriller “The Black Mass”.
We begin as we always do by diving into the latest and greatest horror news.
Barbie finally relinquished the top box office spot in a close race. It was extremely close and did nothing to make us believe that the pink phenom is done at theaters. The question becomes, will it reclaim number one? We also talk about National Cinema Day and why 50 Cent is so pissed.
Then it’s on to our new movie spotlight.
Bootyology is a refreshing change of pace. Even the silliest movies we cover have an air of seriousness around them. This mockumentary about two white rappers who rap exclusively about butts has nothing serious to say, however. But is it too silly? Its subject matter means it is going to go for low-hanging fruit. And as awesome as The Booty Boys are, the duo are incredibly dumb. Bootyology then becomes a case of whether the pros outweigh the cons.
On the other end of the spectrum is this week’s feature presentation.
The Black Mass is a true crime thriller about the twenty-four hours leading up to a gruesome rampage. It is methodical, creepy, and has a third act that is hard to stomach. It also revolves around one of the most overused subjects in true crime.
Devanny Pinn did not make it easy for herself in her feature debut. We have talked about our dislike of Bundy films. Even if you ignore the fact that he is always glamorized, there is just a glut of releases centered around him.
The Black Mass strips away all of the serial killer’s power and focuses on the evil around him. But did Pinn do enough to make it stand out?
IN CASE YOU MISSED IT:
Last week, we talked with filmmaker Zach Passero about his animated feature, The Weird Kidz.
ABOUT THIS PODCAST:
Every week AIPT Movie Editor Nathaniel Muir and his cinema partner in crime Blake Heath discuss indie and genre movies you have have never heard of, the ones you cannot hear enough about, and the ones you never want to hear about again.
We have spent years talking about how important The Blair Witch Project is. We discuss the pros and cons of the latest reimagining of the iconic found footage classic. And we are definitely interested. Plus, the latest internet horror fad that Hollywood wants to adapt into a movie. And while it does seem a little silly to us, they do have a strong director attached to it.
The Asylum has been putting out grade-A quality B movies for a long time. Sharknado may be their most well-known, but their specialty are mockbusters like Tomb Invader and Top Gunner. We could not wait to take a look at their inner workings.
Mockbuster does much more than that. Sure, there is plenty of footage from The Asylum library. And yes, all of it is amazing. The interviews with the people at the top of the company are also great. They know the score and are funny, entertaining, and informative.
But it is the documentary’s subject that is the beating heart of the film. Anthony Frith is one of the most charming people we have ever seen and we enjoyed watching his journey. Mockbuster ended up being an unexpected feel-good watch thanks to Frith and all of the incredibly supportive people featured.
On top of all that, we get to see how a movie from The Asylum gets made!
Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.
Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.
Music in the background from https://www.FesliyanStudios.com




Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror.
















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