It may not have mainstream appeal, but “Soft Matter” is just unique, clever, and wonderfully weird enough to secure future cult status. When the …continue reading In Defense of: Soft Matter (2018)
A deeply shocking and unsettling film, sure to alienate many viewers, “Masking Threshold” nevertheless feels hard to ignore or dismiss. Austrian artistic polymath Johannes …continue reading Panic Fest: Masking Threshold (2021)
“Skinned Deep” is a hidden gem from the vaults of obscurity that is too weird to explain — and too wonderful to miss out on. …continue reading Weird Wednesday: Revisiting Skinned Deep (2004)
One theme, five killer films; we celebrated the five best, wickedly funny and lovingly-conceived horror spoofs you may have missed. I’m a sucker for …continue reading Five On It: Horror Spoofs
Though not the best fit for fans of straightforward narratives, the arthouse crowd will swoon over the beautiful and atmospheric “In Fabric”. The simple …continue reading Reel Review: In Fabric (2019)
Perhaps no movie has made the journey from critical and commercial flop to misunderstood cult classic quite as quickly as “The Empty Man”. Based …continue reading Reel Review: The Empty Man (2020)
As ridiculous as it sounds, and every bit is fun, “Fungicide” is an ultra-low-budget schlockfest that’s a lot of fun for the right audience. …continue reading Reel Review: Fungicide (2002)
Never before released theatrically in the U.S., Altered Innocence is bringing Iván Zulueta’s mesmerizing “Arrebato” to the big screen. When the Fascist dictatorship of …continue reading A Rapturous Restoration: Arrebato (Rapture) (1979)
“Memory House” is a haunting look at the real-world horrors of racism and systematic dehumanization that demands more than one watch. The trend of …continue reading Reel Review: Memory House (2020)
We look at the influential career of a genre icon and attempt to rank the impressive filmography of George A. Romero from worst to …continue reading Every George A. Romero Film, Ranked
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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