Though a box-office bomb, “Underwater” is an incredibly entertaining film that isn’t shy about what it is: a pulpy homage to Lovecraft. New Year’s …continue reading Films From Beyond: Underwater (2020)
“Wij” is a beautifully-shot but troubling coming-of-age tale about maladjusted teens who engage in acts of sexual depravity and personal destruction. “Poetry,” “beauty,” and …continue reading Reel Review: Wij (“We”, 2018, Netherlands)
Eleven thoughtful and unique stories from Australian female horror directors, along with a wonderful wrap-around story, result in a must see film. With rare …continue reading Final Girls Berlin: Dark Whispers Vol. 1
While the first half works better than the last, the female-driven “Inner Demon” is a solid showcase for both the director and the talented …continue reading Reel Review: Inner Demon (2014)
At times highly effective, and other times uneven, “Eli” is a flawed but worthwhile addition to Netflix’s original horror programming. Eli (2019) is a …continue reading Netflix and Chills: Eli (2019) Review
Surprisingly funny, bizarre and gory, “Come to Daddy” takes a horrifying look at the daddy issues of one truly weird hipster dude. Ant Timpson’s …continue reading Reel Review: Come to Daddy (2020)
“The Head Hunter” is a beautifully executed, genre-bending masterpiece — and the best, underappreciated indie horror film of 2019. The Head Hunter (2018) is …continue reading Streaming on Shudder: The Head Hunter (2018)
One part Lovecraftian horror, one part creature-feature slasher, “The Barge People” is a mixed bag that starts slow but ends strong. The Barge People …continue reading From Beyond: The Barge People
Though not as gripping as “Get Out,” strong performances and thrilling action make Jordan Peele’s “Us” an admirable follow up to his dazzling debut. …continue reading Reel Review: Us (2019)
“Prevenge” is a unique, female-driven slasher about a pregnant woman whose unborn baby may, or may not, be pulling the strings on a slew …continue reading Terror Tuesday: Prevenge (2016)