The latest from horror master Neil Marshall, “The Reckoning” does a lot right, but it makes some big missteps that keep it from being …continue reading Reel Review: The Reckoning (2020)
Cynical and brutal, “Don’t Tell a Soul” is a black comedy thriller with great acting and a stellar ending; a strong debut from Alex …continue reading Reel Review: Don’t Tell a Soul (2020)
Fun, funny, and surprisingly sweet, the horror comedy about zombies and mobsters, “Witness Infection”, is sick but pleasantly infectious. I love zombie films and …continue reading Movie Night: Witness Infection (2020)
If you’re looking for a smart, unique, and frightening religious horror film to watch in time for Easter, look no further than “Saint Maud”. …continue reading Terror Tuesdays: Saint Maude (2019)
Blending modern technology and old-school horror, “The Toll” smartly leverages the gig economy’s horrific potential to its full potential. The Toll is a sharp …continue reading Reel Review: The Toll (2020)
“The Wanting Mare” is beautiful to look at, a stunning achievement in visual effects, but the obtuse story may leave you wanting more. Filmmakers …continue reading Reel Review: The Wanting Mare (2020)
As much as I wanted to love it, the new documentary “Volcanic UFO Mysteries” is too muddled and unpolished to deliver on its promise. …continue reading Myth and Mystery: “Volcanic UFO Mysteries”
A highly ambitious regional indie production, “Three Tears” is a giallo inspired thriller with striking imagery; ultimately flawed but fun. Evansville is a small …continue reading Reel Review: Three Tears on Bloodstained Flesh (2014)
In an absolutely gorgeous film, director Anthony Scott Burns asks, “What if all your dreams could come true — even the darkest ones?” Come True …continue reading Reel Review: Come True (2020)
An example of the genre at its most compelling and transcendent, “The Dark and the Wicked” is a bleak but extraordinary film; a must …continue reading Shudder Sunday: The Dark and the Wicked (2020)