“A Stranger Among the Living” is a spooky, character-driven mix of current events, “Night of the Living Dead”, and “Invasion of the Body Snatchers”. …continue reading Horror-on-Sea: A Stranger Among the Living
With an air of believability and sincerity, “The Psychics” is a no budget found footage style film that offers a familiar yet enjoyable angle. …continue reading Horror-on-Sea Review: The Psychics
This week, we leave the monsters of myth to face the monsters among men — exploring the real life horror affecting Canada’s Indigenous population …continue reading Ominous Origins: Highway of Tears
There’s red in the water — and white and blue! This campy, low budget, wartime comedy brings an unconventional foe; but, alas, it’s mostly toothless. …continue reading Horror-on-Sea: Post Apocalyptic Commando Shark
With an eccentric story and engaing lead performance, “The Wave” is an enjoyable film with an unexpected message about focusing on life’s small moments. …continue reading Reel Review: The Wave (2019)
“THE SONATA” is a stunning, atmospheric tale of music and obsession that pays loving homage to the golden age of Gothic horror. Any movie …continue reading Reel Review: The Sonata (2020)
This tense creature feature isn’t a disappointment or a masterpiece, instead landing squarely in the middle as an interesting but imitative thriller. Underwater is …continue reading Reel Review: Underwater (2020)
We dive head-first into the mind trip that is “VHYes”, a surrealist and nostalgic journey through a childhood of insomnia and late night channel …continue reading Reel Review: VHYes (Jack Henry Robbins, 2020)
“SWEET, SWEET LONELY GIRL” is a Gothic thriller recalling 70s arthouse horror, with themes of queerness and women’s sexuality as corrupting forces. Welcome to …continue reading Sapphic Sunday: Sweet, Sweet Lonely Girl (2016)
Despite the significant talent involved in front of and behind the camera, “The Grudge” (2020) is a disappointing, snore-inducing reboot. Two years ago, my …continue reading Reel Review: The Grudge (2020)