We’re joined by a couple of special guests for a look at two of the most visceral and talked about films from this year’s …continue reading Adventures in Movies: Fantastic Fest Special
V/H/S 94 is a brutal and chilling addition to the franchise — a gory adrenaline rush from series veterans and exciting new blood. As a …continue reading Fantastic Fest Review: V/H/S 94
Equal parts mesmerizingly beautiful and unflinchingly grotesque, “Titane” shocks as much with its tender poignancy as its visceral horror. Titane (or Titanium in English) …continue reading Fantastic Fest Review: Titane (Julia Ducournau, 2021)
These are five of the most memorable, innovative, affecting films from GenreBlast 2021 — from the sublimely weird to the darkly hilarious. I was …continue reading GenreBlast 2021: Five Film Favorites
We continue our look at the stellar short horror programming from Horrible Imaginings 2021 with a look at 10 more must-see shorts. I recently …continue reading Horrible Imaginings 2021: 10 Standout Shorts (Part 2)
We honor 10 of the most surprising and significant shorts of Horrible Imaginings 2021, a year notable for its impressive short film program. Returning …continue reading Horrible Imaginings 2021: 10 Standout Shorts (Part 1)
To call “Generation Wrecks” a teen movie or a coming-of-age comedy simply doesn’t do justice to the artistry, emotion, and filmmaking skill. Generation Wrecks …continue reading Dances With Films: Generation Wrecks
“Blank”, the feature film directorial debut from Natalie Kennedy, is a smart indie thriller that delves deeper than expected. How much of creative writing …continue reading GenreBlast 2021 Review: Blank
Fantastic Fest announces the final wave of programming for 2021, featuring a wides selection of weird, wonderful films from across the globe. Fantastic Fest’s …continue reading Fantastic Fest 2021 Final Wave
After falling in love with the bloody new horror-comedy “Red Snow” at GenreBlast, we were dying to chat with director Sean Nichols Lynch. Filmmaker …continue reading Behind the Lens: Sean Nichols Lynch (Red Snow, 2021)
