“Cadaver” is an intriguing if improbable post-apocalyptic tale that once again proves, in any disaster, the greatest danger is always our fellow man. The …continue reading Terror Tuesdays: Cadaver (2020)
Transcending its narrow geographic and narrative focus, “Collective” is a moving and agonizing look at the quest for truth and the casualties of deceit. …continue reading Real 2 Reel: Collective (Documentary, 2020)
In a week where a cult of personality threatens the foundations of democracy, the movie of the week (November 15-21, 2020) is 2008’s “The …continue reading Headlines and Horror: The Wave (2008)
The powerful Argentinian horror film “Leni” is a beautiful, deeply affecting, near flawless film about the terror of unresolved trauma and mental health. Breathe. …continue reading Foreign Friday: LENI (2020)
An extraordinary, beautiful but bloodsoaked film out of Indonesia, “Queen of Black Magic” is a gem of a film — the rare remake that truly …continue reading Nightstream Film Fest: Queen of Black Magic (2019)
On this stop in our horror journey around the world, we go where the genre is only now beginning to take hold, The Philippines …continue reading Around the World in 80 Films: Southeast Asian Horror
This week on the podcast, Chaos & Carnage pick the wrong videotape to watch, and learn hell hath no fury like a woman scorned. …continue reading They Mostly Podcast At Night: Ringu
Inventive, tense, and beautifully constructed, the feminist horror film “Darkness” announces Italian filmmaker Emanuela Rossi as a force to reckon with. First time director …continue reading Nightstream Film Fest: Darkness (2019)
We look at the history of Brazilian horror, from Coffin Joe to modern genre gems, and share five great Brazilian horror films you can …continue reading Hispanic Heritage: Exploring Brazilian Horror
Though certainly worth watching, this slow-paced Indonesian horror film walks an overly familiar path that keeps it from being truly great. If you haven’t …continue reading Fantastic Fest: The Queen of Black Magic (2019)
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