
Absurdity abounds in “Blood Dolls” — a typical Full Moon film that looks like “Puppet Master” through a twisted John Waters filter. An eccentric …continue reading The Daily Dig: Blood Dolls (1999)

Absurdity abounds in “Blood Dolls” — a typical Full Moon film that looks like “Puppet Master” through a twisted John Waters filter. An eccentric …continue reading The Daily Dig: Blood Dolls (1999)

An indigestible expression of art like an acid trip in a museum, “Black Moon” drops an intriguing plot for moments of psychosis. Fleeing a …continue reading The Daily Dig: Black Moon (1975)

Beautiful filmmaking and a strong core message make the Malaysian-shot seventies horror exploitation “Black Magic” a timeless tale. Lovers and admirers consult a wicked …continue reading The Daily Dig: Black Magic (1975)

“Akira” is a masterpiece of animation, grotesque body horror, and powerful social commentary that’s a visual and auditory showpiece. I was lucky. Growing up, …continue reading Eerie Essentials: Akira (1988)

Problematic messaging of the era aside, “Valentine” is a wickedly fun slasher that should be essential viewing on Cupid’s special day. Valentine is pure …continue reading Holiday Horror: Valentine (2001)

It’s punk rock versus heavy metal in “Blue Vengeance”, a fast-paced crime thriller shot guerilla-style in New York City. A disgraced police officer chases …continue reading The Daily Dig: Blue Vengeance (1989)

An unflinching embrace of the shocking and grotesque, “Beyond the Darkness” redefined what horror could be — and just how far it could go. Let’s …continue reading Cinematic Love Letters: Beyond the Darkness

A cult gem almost lost to time and carelessness, “Spider Baby” was luckily revived and restored for our viewing pleasure. Three genetically diseased heirs …continue reading The Daily Dig: Spider Baby (1967)

It’s a crime that “Hider in the House” wasn’t released in theaters. It stands up to any early 90s thriller that launched a few …continue reading The Daily Dig: Hider in the House (1989)

With structure thrown to the wind, Festa uses his music video experience to make the pseudo giallo “Fatal Frames” look as slick as possible. …continue reading The Daily Dig: Fatal Frames (1996)
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