Bogged down with too much symbolism and allegory, this is not what I expected when I was pitched a marriage between Marlon Brando and …continue reading The Daily Dig: The Nightcomers (1971)
On the anniversary of its release, we honor the legacy of one of the most influential vampire films and Dracula adaptations of all time. …continue reading Horror History: Bram Stoker’s Dracula
“Dementia 13” may not be a masterpiece, but it’s impressive for what it is — providing a great early glimpse of genius from a …continue reading Reel Review: Dementia 13 (Director’s Cut)
The first film from legendary director Francis Ford Coppola, “Dementia 13” wasn’t a sign of things to come, but it was slick and gory. …continue reading The Daily Dig: Dementia 13 (1963)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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