An endearing and entertaining love letter to horror fans young and old, “Zombie Town” makes great work of an R.L. Stine classic. Like most …continue reading Reel Review: Zombie Town (2023)
While you may be tempted to curl up with an old favorite this Halloween, consider giving something new a try using this helpful guide. …continue reading Like That, Try This: Halloween Edition
We interview writer, poet, playwright, and Horror Writers Association member Christina Delia about her career and her love of horror. THIS EPISODE: INTERVIEW WITH …continue reading New Horror Express: Christina Delia
A gateway to the genre for many young horror fans, “The Gate” is an enduring classic, just as beloved today as it was 35 …continue reading 35th Anniversary of “The Gate”
Destined to be an annual Halloween classic, “Nightbooks” respects rather than panders to its audience — delivering on nearly every front. “We are the …continue reading Netflix and Chills: Nightbooks Review
Despite the craziness of 2020, which forced film festivals to embrace a virtual model, there was no shortage of outstanding content. While othing compares …continue reading Flashback February: Best of the Fests 2020
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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