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You don’t need an invitation to join us in celebrating the 30th anniversary of the immortal vampire classic

Lost Boys

THOU SHALL NOT KILL

Vampires have existed in the deep recesses of fiction and folklore for centuries. Each new tale adds something fresh to the Vampire mythology. So it would come as no surprise that with the invention of motion picture technology in the early 1900s, the Vampire would have yet another medium to take over. NOSFERATU is one of the earliest and well known silent horror films to feature a Vampire front and center as its main character. Universal Pictures would release their own Vampire film with the immortal classic DRACULA starring Bela Lugosi as the titular character.

Since then horror fans have gotten their fill of Undead Bloodsuckers over the years with some classic tales and some not so memorable. FROM DUSK TILL DAWN, THE BLADE TRILOGY, JOHN CARPENTER’S VAMPIRES, ONCE BITTEN, DRACULA DEAD AND LOVING IT, LOVE AT FIRST BITE, THE VAMPIRE DIARIES, TRUE BLOOD and TWILIGHT are but a few of the hits and misses in the Vampire subgenre (I’ll leave it up to you to decide where each one goes).

Lost Boys

FRIGHT NIGHT and NEAR DARK are just 2 parts of the Bloodsucking Trifecta started in the 80s. The 3rd and most crucial piece of that puzzle would actually be released the same year as NEAR DARK — a piece that is still as relevant and fresh as the day it was released.

THE LOST BOYS would change the vampire genre forever.

THEY’RE ONLY NOODLES MICHAEL

In the mid-to-late 80s, the Slasher Film was starting to peter out. Yet horror fans were still thirsty for blood. Richard Donner was looking to quench that thirst with his next project. Donner — well known by all film and fear fans as the director behind THE OMEN, SUPERMAN:THE MOVIE, SCROOGED, THE LETHAL WEAPON FILMS, and, of course, the rite of passage for all 80s babies and beyond, THE GOONIES — was looking to direct a fun vampire film.

Ironically, the original script was basically The Goonies meet vampires. While Donner and Warner Bros liked the idea, he had to drop out due to LETHAL WEAPON, leaving the director’s chair wide open. Enter Joel Schumacher. Shumacher’s previous directorial endeavors, D.C. CAB and ST. ELMO’S FIRE, were enough to convince Donner’s wife that he would be the perfect choice to fill the director’s chair for THE LOST BOYS.

One of the first things Schumacher did was change the direction of the script, replacing little kids with teen and young adult actors. The kid friendly PG/PG-13 tone was replaced with an edgier, gory, sexy R rating. It was Shumacher’s belief that vampires are sexy creatures of the night. Predators who use their charming wit to seduce their prey. We can all agree that was the smartest thing for all involved. Schumacher wisely cast veteran, established actors in the adult/authority roles to counter act the young Hollywood actors that filled up the majority of the film.

THE LOST BOYS was truly an ensemble cast of actors and actresses, that would all go on to make the picture the absolute definition of the word classic.

THIS IS AS CLOSE TO TOWN AS I LIKE TO GET

Lost Boys

It’s nearly impossible to not discuss the fictional town of Santa Carla, California, which serves as the movie’s setting. The little hamlet of Santa Carla is just as much a character of the film as The Frog Brothers. It appears to be a quirky little town on the surface during the day, yet feels ominous and sinister during the darkness of night. “It smells like death!” Sam, played by the late Corey Haim, exclaims as he, his mother and older brother Michael make their entrance into their new home.

A  WELCOME TO SANTA CARLA billboard greets them, as Michael notices that on the back it reads THE MURDER CAPITAL OF THE WORLD in graffiti. As we would soon find out later in the film, the town’s nefarious nickname is well earned by the nocturnal bloodlusting of David and the rest of the Vampire pack. Santa Cruz is the actual location where THE LOST BOYS was filmed and is still a hot horror tourist spot to this day. Fans travel from all over the world to view locations and take pictures to this day.

THE BLOODSUCKING BRADY BUNCH

Funny, Sexy, Scary, and Cool are all great ways to describe THE LOST BOYS. However, 2 major themes that are prevalent throughout the film should be the better way to describe it. Peer Pressure is one theme of the movie that is often overlooked by a lot of people. David and his crew are constantly pressuring Michael into doing things he wouldn’t normally do on his own. By making him drink the “wine” or hanging from train tracks, Michael is doing things to try and fit in with these people. This is the equivalent of a teen who is underage drinking or smoking a joint with their friends for fear of not fitting in or being ostracized for not wanting to partake in those activities. Michael is the one that audiences should identify with the most as we have all been put in similar positions.

Family is the other major theme of the film. Whether it is the Emersons or Laddie and Star or even Max and The Lost Boys, the idea of family is a strong theme that is pretty obvious upfront from the start of the film. While Max is the film’s ultimate villain and his plan might seem sinister, all he is truly doing is unifying “his boys” with Lucy’s boys to make one big happy family. Again, not condoning Max’s plan of attack, but his intentions are actually good if you consider what he says during his final monologue.

If any 2 characters represent the family dynamic the best throughout the movie, it’s The Frog Brothers. Edgar and Alan Frog, the teenage vampire hunters of Santa Carla. Not only are they loyal to each other and Sam, but they also look out for each other. Wisely played straight and deadly serious, they are the comic relief and are also the strongest family unit in the film. When the shit starts to really hit the fan, they can be counted on to stick together and get their hands dirty.

WHAT’D YOU DO TO MY DOG YOU ASSHOLE?

Not mentioning the brave Alaskan Malamute, Nanook, would be a cardinal sin. Sam’s dog is not only a loyal sidekick, but also his greatest protector when things go from bad to worse. When Michael starts to get his first real bloodlust, he goes to attack his little brother, who is busy taking a bath.