A beautiful, modern, allegorical werewolf tale with arthouse sensibilities, “Wulver’s Stane” requires focus but rewards you handsomely. Wulver’s Stane is an Indie drama that …continue reading Reel Review: Wulver’s Stane (2024)
Poetic, compelling, and quirky, “With Love And A Major Organ” is a standout film with a lot of heart, but it might leave some …continue reading Reel Review: With Love And A Major Organ
“Hippo” defies categorization, but it’s a wickedly funny, stunningly photographed, twisted fairytale that’s as charming as it is disturbing. It took me all of …continue reading Panic Fest 2024: Hippo
One must not tread into a viewing of “Possum” lightly, but it leaves an indelible mark on those willing to confront its nightmares. Show …continue reading Final Girl on 6th Ave: Possum (2018)
We look at the subversion of the Male Gaze and queerness depicted in Oz Perkins’ dramatic religious Horror, “The Blackcoat’s Daughter”. The monstrous Feminine …continue reading Digging Deep: The Blackcoat’s Daughter
If ‘not for everyone’ was a movie, it would be the arthouse oddity “Maximum Shame” — but the right audience will enjoy this wild ride. …continue reading Tubi Tuesday: Maximum Shame (2010)
One of the few genre-adjacent films to be embraced by the Academy, the critical darling “Poor Things” is both subversive and accessible. Show host …continue reading Final Girl on 6th Ave: Poor Things (2023)
One of the most affecting and jaw-droppingly original horror films I’ve seen in some time, “Stopmotion” demands to be seen. Plato said, “Creativity is …continue reading Take Two Review: Stopmotion (2024)
Haley Bennett shines in “Swallow” — a disturbing but mesmerizing portrayal of mental health, obsession, and the struggle to regain control. Show host Carolyn …continue reading Final Girl on 6th Ave: Swallow (2019)
A disturbing and visually stunning stop at the crossroads of creation and obsession, “Stopmotion” delivers for fans of animation and horror. It is surprising …continue reading Reel Review: Stopmotion (2024)
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