With network TV chintz that has only aged into better subterfuge for its late-game terror, the first Stephen King miniseries remains among the best. …continue reading Shudder Sunday: Salem’s Lot (1979)
1940’s “Rebecca” from Alfred Hitchcock is widely considered a masterpiece, but how does the 2020 remake stack up to the now 80-year-old adaptation? Adapted …continue reading Head to Head: Rebecca (1940 vs. 2020)
Based on a French novel, “Diabolique” tried to heteronormalize its plot, but this famous noir thriller could not get rid of the homosexual undertones. …continue reading Sapphic Sunday: Diabolique (1955)
Having just celebrated World Mental Health Day, Jamie explores “Hill House”‘s Eleanor Crain as a representation of psychological trauma and depression. With the recent …continue reading The Rest is Confetti: On Being Eleanor Crain
We say happy birthday to Clive Barker by sharing 15 of his works that helped change the face of the genre and redefine what …continue reading Honoring an Icon: Clive Barker
This week’s recommendation starts out as an unassuming film about a photographer tracking down a potential serial killer but soon goes off the rails as it dives into the absolutely insane mind of Clive Barker.continue reading Tubi Tuesday: The Midnight Meat Train (2008)
Director Gregory Lamberson successfully infuses Widow’s Point with terror, humor, Lovecraft, and a touch of pulp, all centered around a show-stopping performance from Craig Sheffer.continue reading Reel Review: Widow’s Point (2019)
Emily Harris faithfully reimagines CARMILLA in this beautiful and haunting tale of young love, repressed desires, and the ever-present fear of the Other.continue reading Sapphic Sunday: Carmilla (2019)
Jay Baruchel’s smart, subversive slasher is fearless in its depiction of onscreen horror as its devastating dissection of our desire for brutality. Writer/director/actor and …continue reading Take Two Review: Random Acts of Violence
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