Final Girl on 6th Ave: American Psycho (2000)
Though plagued with problems during production and largely ignored upon release, “American Psycho” is now considered a horror classic.
On this episode of The Final Girl on 6th Ave, host Carolyn Smith-Hilmmer takes a deep dive into a classic, American Psycho, the brilliant film adaptation of Bret Easton Ellis’ 1991 novel of the same name. Though Ellis once considered his controversial novel unfilmable, Mary Harron nails the wickedly funny but savage satire that skewered 1980s consumerism while still feeling just as fresh and relevant today. The film was considered a box-office disappointment but has since developed a large cult following. It experienced a revival of popular interest in the 2020s due to its strong presence in contemporary meme culture. – Stephanie (Editor-in-Chief)
SHOW NOTES FROM HOST CAROLYN SMITH-HILLMER:
Get excited because we have a thriller this week! This week we will be talking about the ever-frustrating American Psycho (2000). This movie was always one of my favorites – let’s face it, Christian Bale never looked better. Then, about 6 months ago, I decided I needed to read the book. That book really flipped my world around for a few weeks. American Psycho is an important and entertaining social commentary that will leave you feeling uneasy for days to come. Buckle up.
ABOUT THE SHOW:
The Final Girl on 6th Ave is a weekly show where host, Carolyn Smith-Hillmer, dissects an arthouse/elevated horror film. Each episode includes a detailed play-by-play of the film itself and a subsequent deep dive into the thematic elements and symbolism. Because elevated horror is sometimes viewed within the horror community as pretentious, Carolyn makes sure to use her down-to-earth tone and unique perspective to make these films less intimidating for the casual horror viewer and less ostentatious for the genre lover.
Listen to more episodes on the show’s website here.
The Final Girl on 6th Ave is a bi-weekly podcast where host Carolyn Smith-Hillmer reviews arthouse horror films in a non-pretentious way.
The Last House on the Left (1972)
The holiday season often makes me feel sentimental. Because of that, I present to you all, dear listeners, a very special episode. Not special in the way that it is my best work, or in the way that is a particularly “good” analysis. This episode is special to me because it is the first podcast episode that I have ever recorded. It is a small piece of history and an example of how far this show has come. I recorded this only to share with two to three people as an example of the show that I might start to regularly publish. And now, I would like to share it with you all for the first time.
Please be kind and know that we all start from somewhere. Being that this episode was a practice exercise for myself, it is nowhere near the product of what I would hope to release. The audio quality is not great. I was nervous. I had no idea what I was doing. But we all start somewhere, right?
Additionally, I would like to say that this will be the last episode of The Final Girl on 6th Ave for the year 2023. I will taking the month of December off to spend time with family and relax. I look forward to bringing you all of the spooky arthouse content you all enjoy with a fresh mind in January 2024!
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