Campy, messy, and proudly subversive, “Killer Body Count” flips old-school slasher morality into a celebration of autonomy and identity. Directed by Danishka Esterhazy (The …continue reading Tubi Tuesday: Killer Body Count (2024)
Five horror films about revenge, reckoning, and righteous fury—from feminist rage to social-media satire and supernatural vengeance. Revenge has always been a staple of …continue reading Fresh Screams: Five Horror Films to Stream (June 15-21)
“Kraken” is a gorgeous, slow-burn eco-horror full of atmosphere, drama, and a deeply satisfying final-act creature-feature payoff. Directed by Norwegian filmmaker Pål Øie (The …continue reading Reel Review: Kraken (2026)
Want a Summer trip off the beaten path? This week’s streaming selection ditches the familiar path and rewards adventure-seeking cinephiles. This week’s Fresh Screams …continue reading Fresh Screams: Five Horror Films to Stream (June 8-14)
Harley Wallen’s “Fathers” is a compelling psychological thriller about trauma, fractured memory, and the horror of not knowing who to trust. Harley Wallen’s psychological …continue reading Microbudget Monday: Fathers (2026)
Tina Romero’s “Queens of the Dead” puts a queer, campy, and wildly hopeful spin on the zombie genre, bringing sparkle to the apocalypse. “This …continue reading Shudder Sunday: Queens of the Dead (2025)
“Return to Silent Hill” keeps the fog and the memorable monsters, but strips away the moral reckoning that made “Silent Hill 2” hit so …continue reading Why “Return to Silent Hill” Misses the Soul of “Silent Hill 2”
“I Blame Society” weaponizes found footage to deliver a savage critique of creative erasure, content culture, and Hollywood gatekeeping. Directed, co-written, and starring Gillian …continue reading Found Friday: I Blame Society (2020)
Long before Kane Parsons made waves with “Backrooms”, young filmmakers were reshaping horror, indie cinema, and Hollywood history. The conversation around Kane Parson’s age …continue reading Fresh Blood: Young Filmmakers Who Changed Cinema
“The Last Thing Mary Saw” uses witch-horror language to explore queer repression, religious cruelty, and the monstrosity of love denied. “Fear and weakness keep …continue reading Witch Wednesday: The Last Thing Mary Saw (2021)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Guilty Pleasures: Holiday Special Featuring “Elves”
In this holiday extravaganza episode of Guilty Pleasures, join hosts Stephanie, Kelly, and our newest addition, Jonathan (Jack was tied up in tinsel and couldn't join us), as they unwrap the bizarre and unhinged world of holiday cinema. They dive into the depths of Elves, a film that's as chaotic as it is entertaining. It's a sleigh full of questionable decisions, diabolical dialogue, absurd plot twists, wildly offensive antics, and unhinged holiday mischief.
And that's not all! In the second half of the podcast, join your festive cinephile friends for a look at four more ”nutty as a fruitcake” holiday treats: A New York Christmas Wedding, Elf Bowling, A Medea Christmas, and Jack Frost. Plus, we each offer a bonus Christmas flick guaranteed to make you say, ”Ho, Ho, HO-LY Hell!”
Expect laughter, disbelief, and a spirited debate about what truly makes a movie a guilty pleasure. Don't miss this festive journey through the weirdest corners of holiday films!
Search Results placeholder
Follow Us!