“Mrs. Claus” is a wonderful love letter to the holiday slasher films of yesteryear and a great way to kick off 25 Days of Holiday Horror.
25 DAYS OF HOLIDAY HORROR (DECEMBER 1): MRS. CLAUS
Note: This review previously appeared on the site on January 10, 2018, when I had the pleasure of reviewing an early sneak preview of this film under its original title, Stirring. However, now that the film is widely available on VOD and DVD (as of November 13, 2018) from Wild Eye Releasing, I wanted to once again share my thoughts on the film in the hopes that you might consider adding this to your 2018 Holiday Horror watch list.
Mrs. Claus (formerly known as Stirring) is about a group of college students attending a Christmas party at a sorority house with a bloody and sinister past who are stalked by a killer disguised as Mrs. Claus. I just love the way that plot sounds.
The film has a nice opening sequence that sets the story in motion with a back story showing the horrific incident that happened at the sorority house. It’s quick, to the point and shows a bloody glimpse of what’s to come, very much like the opening sequence in fellow holiday slasher Halloween.
Writer and director Troy Escamilla knows how to dress up his holiday horror, and Mrs. Claus is loaded with festive atmosphere.
Holiday themed pillows, blankets, figurines, candles and decorative wall hangings and garland deck the halls of the doomed sorority house. It’s a very warm and appropriate looking slasher that is drenched in Christmas and blood. All this holiday cheer is perfectly topped off with slow and eerie piano notes that make up the Christmas themed score. The music makes all the lights and decorations take on a new, unsettling appearance and gives the holiday a wonderfully twisted feel.
Mrs. Claus boasts a true ensemble cast that is very believable as college students. They look the same age, act like, and talk like real college kids. Hailey Strader as Danielle has a relateable, everygirl look and Heather Bounds as Kayla is really good as the sweet sorority girl who just wants to have a nice Christmas party. Billy Brannigan and Drew Shotwell also do great work here, especially Shotwell. His delivery and reactions to other characters have a very natural vibe, and he doesn’t even seem like he’s acting.
Adding to the fun are appearances from Brinke Stevens and Helene Udy, two slasher favorites whose inclusion should make every horror fan happy. Udy has a lot of fun with her role, and Brinke Stevens is perfect as the campus patrol officer with her icy cool voice and calm demeanor to uphold the rules. It’s just a blast to see them on screen together.
Just like her work in Party Night, Heather Benson offers up top notch and very impressive special effects. She’s extremely talented. I love the creativity of the kills; a number of them incorporate holiday decorations. The kills and effects are sharp, fast, offer plenty of blood, but are never over the top. They are much in the vein of Friday the 13th.
Coupled with the stellar practical effects, a killer Mrs. Claus is a welcome change in the Christmas slasher sub genre.
Another place where Mrs. Claus succeeds where other films have failed is with the use of cell phones and texting as a means of communication to move the story forward. Text boxes are effectively displayed on screen as they pop up from the phones but more importantly this type of communication doesn’t dominate the dynamic between the characters. While texts do pop up at important times in the story, the characters and their relationships are well established with plenty of physical and in person interaction.
I think this is important to create relatable characters, and in this increasingly digital world we live in, Mrs. Claus is one the best efforts I’ve seen that blends the two in an effective and smart way.
My one criticism would be the ending feels a little more rushed than I would have liked. The well crafted script takes its time to create solid characters and a nice, slow building tension as the story unfolds that it felt a little underwhelming to have such a quick wrap up at the end. I suppose that criticism of wishing the film had a slightly longer finale hints at how much I enjoyed watching Mrs. Claus.
The film is a love letter to the slasher hey day and such holiday horrors like ‘Black Christmas’ and ‘Silent Night, Deadly Night’. Much like the holidays themselves, you don’t necessarily need anything unexpected in a slasher film. Between the nostalgia we feel at Christmas time and the nostalgia we feel from our favorite slasher films, ‘Mrs. Claus’ effectively ties these 2 beloved traditions together.
The end result is a fun and familiar feeling horror flick: familiar in the way of seeing old family members during the holidays. And on that front, Mrs. Claus delivers.