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The new EP “Scary Things” from The Quick & Easy Boys is a spooky short from one of Portland, Oregon’s best-kept musical secrets.

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Rising like the angry undead with a bone (or several) to pick (clean), Oregon indie rockers The Quick & Easy Boys are set to infest the Halloween music scene with their latest EP “Scary Things”. Yes, October is the month to celebrate all things sinister, spooky, and spicy (usually of the pumpkin variety), and “Scary Things” fits the aesthetic like a bloody body bag.

At first, a nightmare-themed hard-rockin’ EP seems an odd fit. The Quick & Easy Boys (TQ&EB from here on out) are, by design, a band that is hard to categorize but typically falls somewhere between the funk-rock sounds of the 70s and the punk-rock style of the 80s (this is not a complaint).

Take a random sampling of songs, and you’ll find similarities to The Smiths, 70s Aussie greats Angel City, The Police (early years especially), and plenty more. Sprinkles of Bee Gees here and a dollop of doo-wop there result in a rather eclectic rock & roll concoction that defies convention and, by proxy, may not appeal to all palates.

And yet, dig a little deeper, and you’ll find a bespoke cohesion under the fluid façade, hardly unexpected for a band that’s been a fixture in the Portland area for nearly 20 years.

When musicians have played together for two decades, progressing across multiple styles throughout their journey, they tend to have a natural chemistry that is almost like muscle memory—an unspoken attunement. And with eight full albums under their belts, TQ&EB are certainly not afraid of pushing boundaries—ultimately, releasing a heavier, Halloween-focused EP isn’t much of a stretch.

Of course, familiarity is all well and good, but how does the eerie experiment hold up? Quite well, it turns out.

In simple terms, “Scary Things” is a worthy ode to the Samhain season.

The Quick & Easy Boys

The Quick & Easy Boys

Featuring four spectral songs and clocking in at twenty-four minutes, the EP has a decidedly impish quality to it – the literal sound of good-natured musical mischief.

In the interest of full disclosure, I feel it prudent to admit that I am largely a “get off my lawn” type of audiophile, taking my music very seriously and being rather rigid with my expectations of how music is recorded and released. As such, I generally have a hard time connecting with a song when it’s clear that the musicians are “faffing about,” as the British might say. That said, despite knowing that TQ&EB is trying on a different hat with “Scary Things” and having undeniable fun in the process, I was all in with this EP.

It truly sounds like a garage band that is absolutely leveling the suburbs on their final rehearsal – and I mean that as a huge compliment.

Stylistically, these four tracks could best be described as hard rock tinged with blues, groove, and good old-fashioned heavy metal vibes (think Deep Purple and Black Sabbath).

Down-tuned but up-tempo, full of amplifier fuzz and pedal distortion, “Scary Things” legitimately sounds like a blast from the past, unearthed from the ruins of a moldering record studio to wreak havoc on modern-day listeners.

For as much as I love the Swedish superstars of Ghost, songs about devils and demons, in my opinion, should be a little raw. On “Scary Things”, TQ&EB are only too happy to oblige.

As for the monsters behind the mayhem, this is as barebones (pun intended) a lineup as you can find. Bassist Sean Badders doubles as the band’s lead singer, Jimmy Russell slings the six-string and provides backing vocals, while Tyrone Hendrix mans the skins.  It’s an unholy trinity of bass, guitar, and drums… and nothing more. True, you may hear a few studio post-production effects here and there, but “Scary Things” remains a largely undiluted affair.

We inhabit a world full of overproduced earworms, algorithmically enhanced for casual consumption by the ravenous, mindless masses.

The stripped-down nature of “Scary Things” is a most welcome reprieve.

Ghosts – My favorite track from “Scary Things”, Ghosts is arguably the most “straightforward” offering of the EP. Like a gloom-tinged ZZ Top tune, Ghosts is a bluesy barnstormer, rollicking along with a heavy four-on-the-floor tempo, buoyed by a pulsing bassline and solid percussion. The minimalist approach works wonders, allowing for each instrument to be heard loud & clear.

Witches – I like big songs, and I cannot lie. From Zeppelin’s Kashmir to Sisters of Mercy’s This Corrosion, I love it when a song finds its groove and just keeps on truckin’. Witches, at 7:58 seconds, keeps that vibe alive, providing ample time to for listeners to get cozy with its gnarly fuzz. And is that a Hammond organ (or equivalent) I hear? Witches is undoubtedly the most 70s-sounding song on the EP and the one that feels the most like a nod to Black Sabbath. Some may be put off by the focused, jam-heavy final third, but it surely put a smile on this reviewer’s face.

Demons – Launching like a bat out of hell, Demons is a track that wouldn’t have felt out of place in the Maika Monroe satanic film God is a Bullet (a movie I enjoyed). There’s a delightfully old-school punk vibe here, from the heavy power chords to the piledriver drums. All killer and no filler, Demons is liable to bring a mosh pit to a TQ&EB live show, which would surely be a sight to see.

The Succubus – Starting out almost like White Rabbit by Jefferson Airplane, The Succubus begins on the right foot but begins to meander several minutes in. Unfortunately, this is the only track that didn’t do too much for me, though that’s surely due to my own inherent aversion to overlong noodling (improvisational segments a la Phish) as opposed to the songwriting or musicianship. I don’t dislike the song one bit; it just didn’t grab me like the previous three.

Arriving just in time for the best holiday of the year, “Scary Things” by The Quick & Easy Boys is a devilishly fun time, a low-fi but high-energy homage to not only the various things that go bump in the night but also the boys & ghouls who hold Halloween in high esteem. 

Trading pristine studio trickery for a “you’re right there with the band” sound, the “Scary Things” EP may come in a smaller, fun-size package, but it more than delivers on the full-size thrills.

Highly recommended!

READ ABOUT THE QUICK & EASY BOYS' SCARY THINGS IN THE WORDS OF BASSIST/LEAD SINGER SEAN BADDERS

When we initially went into the studio, we had about 12 songs that we definitely wanted to record in a two-day span, and none of the songs that are on “Scary Things” were on that list, LOL! It was all groovy/funky/R&B stuff. After the first day of recording, we had a lot of extra time, and we hit all the stuff we planned. We’ve always paid for studio time ourselves and are typically very conscious about not partying in the studio and wasting time and money, but since we were ahead of schedule, Jimmy and I decided to eat some psychedelic mushrooms and drink tequila and see what would happen. For drums on those sessions, we had Tyrone Hendrix (Allen Stone, Prince) play on Ghosts and Demons, and Carlin White (Lana Del Rey) play on what would be Witches and The Succubus.

I was listening to a lot of heavy music at the time — Sleep, Iron Maiden, Vektor, Candlemass, Bewitcher, Black Sabbath, Horizont, etc — as well as David Bowie’s Berlin trilogy of albums where he largely eschewed typical pop conventions. I loved that he would have songs develop for a couple of minutes before singing, and that approach was definitely intentionally used by us for a couple of the songs. We didn’t have any lyrics or topics for the songs until many months later. We thought all the stuff we cut on the second day would be garbage, unusable stuff, and it wasn’t until we revisited the songs that the topics and lyrical ideas started flowing.

Demons was the first song to which I added lyrics. I had the concept of “Scary Things” figured out for the new songs — an album about scary things, duh — so now it was just listening to the basic tracks to get lyrical inspiration. Around the same time, a friend of ours named Jeff Sechs was on a group text thread with us, and he sent some joking lyrics that ended up being the first verse of Demons. Once I started running with that topic of demons, I knew I wanted to showcase my vocal range and use everything from low guttural vocals to high screams and spoken words to make the song extra creepy. I also added the double kick drum parts via the MIDI keyboard to fill in some of the space. Jimmy added some extra guitar solos to make it extra epic. Tyrone Hendrix plays drums on this track.

Witches was the first song we recorded with Carlin on drums. He was in between tours and happened to be close by when our original drummer had to leave for the day… Carlin came through and absolutely crushed the drums, and we cut this song in one take. Later, as I listened to the eight-minute track, I started realizing that I wanted to let it unfold slowly and really lean into the sludgy feel of the song. I also knew I wanted to do something different than what I did vocally previously, so after a few listens, I decided on making a giant choir of the damned feel, with ethereal falsetto vocals leading the choir.

Ghosts – This was the third song we revisited. Initially Jimmy had the guitar riff and chord changes in mind and we worked out the song structure/bridge in an hour or so. This was the 3rd song I added lyrics to, so by this point I knew I had the concept of “Scary Things” and ghosts seemed like the right topic. This song definitely leans more classic rock/heavy metal so in turn I approached it vocally more like Ozzy/Dio/Robert Plant.

The Succubus – This was the final song we finished. This one feature Carlin on drums as well and was done in one take, if my memory serves correctly. The song kinda takes a twist musically as it starts out with one vibe and then gets funkier as the song develops, even having a little bass solo a couple mins in. We closed with this track as it musically transitions into a funkier sound that’ll be more reflective on our next EP.

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