This month, it was a WWE smackdown to see which guilty pleasure horror film we’d discuss, and “See No Evil” was the undisputed champion. …continue reading Guilty Pleasures: See No Evil (2006)
While most of Wes Craven’s career was undeniably charmed, he did deliver the occasional “Cursed” film ripe for a Guilty Pleasures pick. https://episodes.castos.com/Scott-Murphy-s-show/bd97329a-9e97-4889-8030-b31632f5e352-Cursed-final-edit.mp3 Subscribe: Spotify | Stitcher …continue reading Guilty Pleasures: Cursed (2005)
“The Haunting of Molly Hartley” is a unique idea for a film held back by a bad presentation; a great 75-minutes is wasted in …continue reading Tubi Tuesday: The Haunting of Molly Hartley (2008)
On this episode, we chat with screenwriter Neal Marshall Stevens about his career, from “Thir13een Ghosts” to the Full Moon family. THIS EPISODE: INTERVIEW …continue reading New Horror Express: Neal Marshall Stevens
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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