We brace ourselves for the end of the world with a look at an Oscar-nominated Netflix hit, the satirical black comedy “Don’t Look Up!” …continue reading Spookshow: Don’t Look Up (2021)
We press play and record on our deep dive into the excellent Spanish supernatural zombie horror film franchise, REC — from beginning to end. …continue reading Dreckulas Underworld: REC 2-4
“The Day of the Beast” is a brilliant ‘end of the world’ horror with the perfect mix of terror and comedy to not take …continue reading The Daily Dig: The Day of the Beast (1995)
The amazing Aussie undead film “Cargo” is a powerful story about survival and the love a parent has for their child. … As one …continue reading Flanagan Film Fest: Cargo
John Carpenter’s Apocalypse Trilogy goes out laughing at a world done in not with slimy abominations or bad paperbacks, but a collective shrug at …continue reading Shudder Sunday: In The Mouth Of Madness (1994)
This week, we continue to discuss what horrors are foretold for us at the end of days according to the teachings of Judaism (23 …continue reading Horror Shots Podcast: End Times (Judaism)
This week, we prepare for the end of the world as we know it — or at least that which is foretold by religious teachings …continue reading Horror Shots Podcast: End Times
Zombie sfx makeup is one of my favorite looks — with the decaying flesh and protruding bones, mutations and boils, different ways of infection and …continue reading SFX Saturdays: Bitten by a Zombie
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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