A crime thriller without the cops, the Welsh thriller “Darklands” relies on little blood and gags to get its point across. A reporter investigates …continue reading The Daily Dig: Darklands (1996)
We interview popular UK filmmaker James “Jim” Eaves about his latest film “You Might Get Lost” and about the evolution of British horror. On …continue reading New Horror Express: James Eaves
A gorgeously shot and atmospheric tale inspired by classic ghost stories, “The Haunting of the Lady-Jane” builds slowly to a powerful ending. After the …continue reading Reel Review: The Haunting of the Lady-Jane
Though it may feel familiar, “The Creeping” is a slow-burn ghost film elevated by effective chills and stellar production values. I first got a …continue reading Reel Review: The Creeping (2023)
UK indie horror export”Mask of the Devil” promises a grindhouse-inspired hell of a good time. Is it as devilishly good as it looks? Mask …continue reading VOD Verdict: Mask of the Devil (2022)
Expertly using tension and uncertainty to portray real-life horror and destruction, “Threads” plays like a docudrama or a dire warning. The story of the …continue reading The Daily Dig: Threads (1984)
A pleasant surprise, this pseudo-crime thriller features two titans of the genre, Donald Pleasence and Sir Christopher Lee. When people start disappearing in the …continue reading The Daily Dig: Death Line (1972)
This middling tale of an evil family features brilliant locations and Hollywood’s most unheralded star couple, Sam Elliott and Katharine Ross. An American architect …continue reading The Daily Dig: The Legacy (1978)
Boasting one of the best VHS covers ever, it doesn’t deliver on its promise until too late, and then it’s only a quick flash …continue reading The Daily Dig: Bloody New Year (1987)
Bogged down with too much symbolism and allegory, this is not what I expected when I was pitched a marriage between Marlon Brando and …continue reading The Daily Dig: The Nightcomers (1971)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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