A hard-to-find British film that has more alternative titles than interesting scenes, the production is carried on the allure of its star. Valerie witnesses …continue reading The Daily Dig: The House That Vanished (1973)
One of the must see films of 2020, “His House” is a riveting and terrifying tale of survival — a haunting battle between internal …continue reading Movie Night: His House (Netflix, 2020)
In the hilarious and blood-soaked “Ready For My Close Up”, Lynn Lowry stars as a B-Movie queen who is living out her greatest roles…one …continue reading Horror Short: Ready For My Close Up
Our next stop on our trip around the horror world is England to explore a bit of hallowed horror history and pay tribute to …continue reading Around the World in 80 Films: England
“Prevenge” is a unique, female-driven slasher about a pregnant woman whose unborn baby may, or may not, be pulling the strings on a slew …continue reading Terror Tuesday: Prevenge (2016)
With an air of believability and sincerity, “The Psychics” is a no budget found footage style film that offers a familiar yet enjoyable angle. …continue reading Horror-on-Sea Review: The Psychics
Honoring the passion and dedication that fuels independent filmmaking, the 2020 Horror-On-Sea Festival included some stellar short horror programming. Horror-On-Sea Film Festival 2020 takes …continue reading Horror-on-Sea: A Trio of Satisfying Shorts
Richard Rowntree’s sophomore feature “Nefarious” is a taut, ultra tense indie hororr film about a robbery attempt that goes shockingly wrong. Nefarious: Adjective (typically, …continue reading Reel Review: Nefarious (2019)
Interview with talented, up-and-coming British writer/director Liam Regan about his debut film “My Bloody Banjo” and what inspires him most as a filmmaker. With …continue reading Behind the Lens: Liam Regan (My Bloody Banjo)
Spidarlings is an extremely creative British punk rock/feminist horror musical, distributed by Troma, that entertains while delivering clever social commentary. If you scan the …continue reading Take Two Review: Spidarlings (2016)