This middling tale of an evil family features brilliant locations and Hollywood’s most unheralded star couple, Sam Elliott and Katharine Ross. An American architect …continue reading The Daily Dig: The Legacy (1978)
Bogged down with too much symbolism and allegory, this is not what I expected when I was pitched a marriage between Marlon Brando and …continue reading The Daily Dig: The Nightcomers (1971)
Playing with non-linear storytelling and perception, this chaotic human study works thanks to a strong, believable performance by Liz Taylor. A Woman with an …continue reading The Daily Dig: Identikit (1974)
The most underrated and overlooked zombie flick of all time is worth watching, even if Robert Kirkman has made you hate zombies. Two travelers …continue reading The Daily Dig: The Living Dead at Manchester Morgue (1974)
“The Comic” has hints of the chaos of “Brazil”, the unruliness of “A Clockwork Orange”, and makes as much sense as “Fast and Furious”. …continue reading The Daily Dig: The Comic (1985)
Troma fans rejoice: “Eating Miss Campbell” is the subversive studio at its titillating, taboo, trashy best…and it’s a total blast. I’ve watched The Toxic …continue reading GenreBlast 2022: Eating Miss Campbell
A less than riveting haunted house tale told at a snail’s pace, this British gothic horror does at least feature Sir Christopher Lee. When …continue reading The Daily Dig: Dark Places (1974)
A completely invasive score and sound design make up for the slowest of burns in this British horror based on a depression-era short story. …continue reading The Daily Dig: The Shout (1978)
Award-nominated “Crucible of the Vampire” gets an enhanced re-release with the 2022 Director’s Cut, including new scenes; now streaming. Ghost Dog Films, the British …continue reading Trailer Park: Crucible of the Vampire (Director’s Cut 2022)
“The Sender” is a psychological, supernatural horror that has a strong religious undertone and is smarter than it’s given credit for. An amnesiac man …continue reading The Daily Dig: The Sender (1982)
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