“Sick” is an 83-minute thrill ride that commits hard and fast to serving up operatic levels of extreme survivalist horror. Horror films have often …continue reading Movie Night: Sick (2022)
Not every film has to be high art. Sometimes, all you want is a bloody good time — in which case, pack your bags …continue reading Reel Review: Camping Trip (2022)
A brilliantly executed, uncomfortably relatable dystopian nightmare, the genre-bending “Tin Can” is as mesmerizing as it is terror-inducing. Horror is at its most viscerally …continue reading Reel Review: Tin Can (2020)
On this episode of the “Adventures in Movies!” podcast, we talk about crazy endings (“Hunter Hunter”) and new beginnings (Rags to Riches stories). ABOUT …continue reading Adventures in Movies: “Hunter Hunter”/Rags to Riches
In a week where denial spreads as rapidly as disease, the movie of the week (November 22-28, 2020) is 1964’s “The Masque of the …continue reading Headlines and Horror: The Masque of the Red Death (1964)
Isolation, loneliness, boredom…all the things you’re feeling right now. Check out these 10 classic horror movies (plus 3 bonus films) that feel your pain. …continue reading Top 10 Movies About Social Isolation
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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