“Gateway” is a grim, hypnotic, mostly successful marriage of austere Irish crime drama and eerie, supernatural horror. We Irish are a morbid bunch. I’m …continue reading Tubi Tuesday: Gateway (2022)
A beautifully crafted slice of Southern charm and corruption, “The Dirty South” is an intense and thoughtful thriller about rural America. Born and bred …continue reading Reel Review: The Dirty South (2023)
A stunning film with the potential to be a masterwork, the most frustrating thing about “Hands That Bind” is how great it very nearly …continue reading Reel Review: Hands That Bind (2023)
Though the subject matter is intense, the idea behind “The Neighbor” is more terrifying and thought-provoking than the film itself. In a departure from …continue reading Reel Review: The Neighbor (2023)
A gripping, heartwarming tale of recovery and the beautiful bond between man and dog, “The Year of the Dog” is a triumph of indie …continue reading Reel Review: The Year of the Dog (2022)
We look back at one of the biggest hits of 2022, “Smile”, and review what it sure to be one of the best films …continue reading Adventures in Movies: “BlackBerry” and “Smile”
“Cube” (2021) is a rare instance of a Japanese remake that doesn’t compare to its Western counterpart, rather than the other way around. If …continue reading Foreign Friday: Cube (2021)
Brittany Snow dazzles in her directorial debut — crafting a personal but relatable tale of the path to redemption in the wake of destruction. The …continue reading SXSW 2023: Parachute
Bogged down with too much symbolism and allegory, this is not what I expected when I was pitched a marriage between Marlon Brando and …continue reading The Daily Dig: The Nightcomers (1971)
This week on the podcast, we attempt to peel back the layers from “Men”, Alex Garland’s complicated treatise on gender relations. MEN (2022) Carolyn …continue reading Final Girl on 6th Ave: Men (2022)
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