‘The Last Laugh’ doesn’t revolutionize the way in which modern horror is manufactured, but it does serve as a solid union between past and present genre fare.continue reading Reel Review: The Last Laugh (2020)
Beloved Frankenstein author finally gets a biopic, which captures the drama of her life but skimps on character.continue reading Reel Review: Mary Shelley (2018)
Smalltown mocumentary details everyone’s deepest fears, and reveals the hidden horror of “going missing”continue reading Reel Review: We Are the Missing (2020)
In our monthly look back at forgotten VHS favorites from the video store era, we revisit Brian De Palma’s dark and twisted thriller “Raising …continue reading Video Rewind: Raising Cain (1992)
Family, truth, and consequences are examined in this dark and compelling thriller anchored by a gritty lead performance from Bethany Anne Lind. The early …continue reading Reel Review: Blood on Her Name (2020)
Robert Pattinson and Willem Dafoe expertly portray madness and dread in “The Lighthouse”, the highly anticipated sophomore film from Robert Eggers. “I cannot think …continue reading Films From Beyond: The Lighthouse (2019)
“Lovely Molly” is an indie horror about a newlywed couple who moves into Molly’s charmless childhood home, which may or may not be horrifically …continue reading Terror Tuesdays: Lovely Molly (2012)
“Bloody Marie” takes viewers on a dark journey in a dangerous world, anchored by a tour de force performance from Susanne Wolff. “A hen …continue reading Reel Review: Bloody Marie (2019)
Epic and at times overwrought in scope, “Division 19” is a chilling examination of a near-future in emotional and political disarray. Director S.A. Halewood’s …continue reading Fade to Black: “Division 19” (2017) Review
Takeshi Kitano’s “Violent Cop” is a nihilistic and unforgiving film that doesn’t glamorize or stylize violence, but rather revels in its bleak brutality. Dirty …continue reading Shudder Sunday: Violent Cop (1989)
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