Great scenery and production design gild this mess of a story inhabited by the most beautiful people you can put on celluloid. Unrelated groups …continue reading The Daily Dig: The Murder Mansion (1972)
Blending action horror, comedy, and 80s-style zombie madness with great gore effects, “Yummy” is difficult to classify but easy to love. Director Lars Damoiseaux, …continue reading Shudder Sunday: Yummy (2020)
With rarely seen gems and a treasure trove of bonus content, “The Eurocrypt of Christopher Lee” is a must own for fans of Christopher …continue reading Severin Sunday: The Eurocrypt of Christopher Lee (2021)
A lost Spanish horror film reminiscent of “Rosemary’s Baby” and “The Omen”, nothing can prepare you for the horror of “Secta Siniestra”. When fans …continue reading Syndrome Saturday: Secta Siniestra (1982)
Vinegar Syndrome corrupts the minds of giallo fans with their latest Blu-ray release of the 1973 Spanish-produced gem “The Corruption of Chris Miller”. If …continue reading Syndrome Saturday: The Corruption of Chris Miller
After a bad first taste, we revisit “The Torture Chamber of Dr. Sadism” to see if the film does more or less to impress …continue reading Second Chance: The Torture Chamber of Dr. Sadism
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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