“The Wind”, a subjugation of isolation set in 1889, diminishes modern relationship woes, as the dread of loneliness builds to a crescendo of desperation. …continue reading Reel Review: The Wind (2018)
“Level 16” is both a bold social commentary and a gripping thriller — exploring the destructive social influences that damage women’s worth and freedoms. …continue reading Feminist-Driven Dystopian Thriller “Level 16”
A stunning directorial debut from A.T. White, “Starfish” is a deeply personal and beautiful apocalyptic tale of loneliness, loss and Lovecraftian horror. “Is this …continue reading The Haunting Melody of “Starfish” (2018)
Celebrating its 15th year, Fantastic Fest prepares for the 2019 season celebrating Mexican cinema alongside the best of indie genre programming. Attending Austin’s famed …continue reading Badges on Sale Now for Fantastic Fest 2019
Our staff buckles in for a wild ride with the zombie/war mashup “Overlord” from Julius Avery and Bad Robot; is this popcorn flick as …continue reading Morbid Minis: Overlord (2018)
With dazzling dance sequences and an orgy of audio-visual decadence, Gaspar Noé’s latest feature “Climax” is an intoxicating and nightmarish trip. I’m a huge …continue reading Fantastic Fest Review: Climax (2018)
Timo Tjahjanto takes the time to truly frighten in his latest film “May The Devil Take You” that can be best described as the …continue reading Fantastic Fest Review: May the Devil Take You
Jonah Hill’s extraordinary directorial debut “Mid90s” is a touching and relatable ode to the heartbreak and hope of youth and the moments that define …continue reading Fantastic Fest Review: Mid90s
Black is back, returning with partner Kyle Gass for a long awaited new Tenacious D album and hilarious new web series of the same …continue reading Fantastic Fest Review: Post-Apocalypto
Born out of a viral tweet, “You Might Be the Killer” is a light-hearted, self aware love letter to the genre; “Scream” for the …continue reading Fantastic Fest Review: You Might Be the Killer
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