It may be a dumb Hallmark holiday, but we have a bloody good time talking about 2009’s guilty pleasure slasher “My Bloody Valentine”. Welcome …continue reading Guilty Pleasures: My Bloody Valentine (2009)
We kick off the new year with a look at some of the best holiday horror songs and soundtracks to spin from now through …continue reading Five On It: Winter Holiday Horror Soundtracks
When it comes to 80s slashers, a few heavyweights dominate the discourse. But these 7 lesser-loved slashers deserve your attention. The 1980s birthed more …continue reading Seven Slashers That Deserve More Love
This Week in Horror: A love letter to My Bloody Valentine, a visit to Fantasy Island, remembering an icon, devil music for Sabrina fans, …continue reading Horror Headlines: Jan 17-Feb 2, 2020
With Valentine’s Day right around the corner, it’s the perfect time to revisit My Bloody Valentine, both the 1981 original and the 2009 remake. …continue reading Sunday Bloody Sunday: My Bloody Valentine
Horror’s Scream Queens and Rising Talent: Six Questions for Helene Udy “Born in Albuquerque, New Mexico, but a dual citizen with a British passport, …continue reading Deadly Beauty: Helene Udy
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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