A spoiler-full look at Sean William Scott’s foray into the blood-soaked genre, “Bloodline”, a film that feels familiar but showcases great talent. Let’s get …continue reading Reel Review: Bloodline (2019)
“The Golden Glove” is an unflinchingly brutal, ultra-realistic, nihilistic glimpse into the real life crimes of German serial killer Fritz Honka. My screening of …continue reading Fantastic Fest: The Golden Glove (2019)
Nicholas McCarthy’s “The Prodigy” is a disturbing supernatural story of nature versus nurture gone haywire. Can a mother’s love protect her only child? What …continue reading Reel Review: The Prodigy (2019)
The film adaptation of graphic novel “My Friend Dahmer” delivers through stellar acting, fantastic attention to detail, and close adherence to the book. My …continue reading Reel Review: My Friend Dahmer (2017)
The nostalgia-fueled “Summer of 84” is a well-crafted, delightful yarn that captures the essence of a particular time period and a time in young …continue reading Take Two Review: Summer of 84 (Shudder Exclusive)
The way Derf Backderf portrays Dahmer’s actions in “My Friend Dahmer” is far more interesting than briefly stating how he acted in his high …continue reading Now Read This: My Friend Dahmer
“Scarecrows” brings gritty realism, great practical effects and some well-paced comedy into a retro style slasher with potential cult classic status. I didn’t have …continue reading Reel Review: Scarecrows (2018)
“The Clovehitch Killer” is a smart, incredibly suspenseful and introspective look at repression, family and the moral soul of middle America. How does a …continue reading Reel Review: The Clovehitch Killer (2018)
A surprisingly unique and entertaining serial killer horror, The Basement boasts exceptional performances and a truly killer twist you need to see. “One Serial …continue reading Reel Review: The Basement (2018)
A riveting look at one of the most prolific yet least understood serial killers in American history, “Joel” is thoroughly researched and brilliantly acted. …continue reading Take Two Review: JOEL (2017)