An inventive and entertaining love letter to the slasher heyday, “The Third Saturday in October” is a double feature made for popcorn and PJs. …continue reading Movie Night: The Third Saturday in October
Much of the potential is left on the table as the celluloid fills with boring drama instead of reaping, raptures, and the blood of …continue reading The Daily Dig: A Day of Judgement (1981)
Tobe Hooper follows up “Texas Chainsaw” with a wandering plot that is extremely stylized and filled with prophetic horror history. The owner of a …continue reading The Daily Dig: Eaten Alive (1976)
A formulaic slasher with a big finale in a cemetery would be a must-watch for slasher completists but doesn’t feature anything unique. A group …continue reading The Daily Dig: Death Screams (1982)
While it may be too long and slow moving for some, Demons is a solid exorcism film that has plenty of satisfying twists and …continue reading Reel Review: Demons (2017)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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