“A Wounded Fawn” stuns with sinister surrealism — a disorienting but dazzling descent into the heart of wickedness. When it comes to setting a goal …continue reading Shudder Sunday: A Wounded Fawn (2022)
A vampire film with bite, “Jakob’s Wife” gives star Barbara Crampton one of the meatiest roles of her career — and it’s downright delicious. Jakob’s …continue reading Indie Spotlight: Jakob’s Wife (2021)
The anticipated first feature from indie genre powerhouse, Travis Stevens, “Girl on the Third Floor” is a story of haunted humans and a broken …continue reading Brooklyn Horror Film Fest: Girl on the Third Floor
Produced by the talent behind “Starry Eyes” and “We Are Still Here”, “Hover” is an exciting new science fiction feature coming soon from SYFY …continue reading Coming Soon: “Hover” From SYFY Films
An exclusive chat with filmmaker Ted Geoghegan, writer/director of the indie horror hit We Are Still Here, talking about his remarkable new film Mohawk. …continue reading Talking “Mohawk” With Ted Geoghegan
[tribulant_slideshow gallery_id=”3″] SNOWFORT PICTURES has been behind some of the latest and greatest—and most unique—genre releases. Starry Eyes (2014, Dark Sky Films), a personal …continue reading INDIE SNOWSTORM: The Rise of Travis Stevens and Snowfort Pictures
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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