Help support the new feminist exploitation film “Ice Cream Baby” on Indiegogo; it promises to be a fun, sexy, and gory feature film. Sugar …continue reading Fund It Friday: Ice Cream Baby (Film)
Join us as we wander out too far and get lost in the desert with this week’s horror double feature: “Zzyzx” and “Horror in …continue reading Not Your Final Girl: Desert Horror
A unique and empathetic look at trauma-induced mental illness, “DID I?” has something to say but doesn’t skimp on the tension and chills. Genevieve …continue reading Reel Review: DID I? (2023)
Horror has been critiqued for enforcing misogynistic ideas and celebrated for supporting modern feminism as the role of women keeps evolving. For the most …continue reading The Portrayal of Women in Horror Movies
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As Women in Horror Month comes to a close, now is a great time to discover homegrown horror from one of indie horror’s best-kept …continue reading Fiction Friday: Tales My Grandmother Told Me
“Polaris” is a breathtaking, apocalyptic story told in a visual language that will mesmerize many while leaving some out in the cold. The urge …continue reading Make Believe Seattle 2023: Polaris
A dazzling debut, “Like I Used To” is a slick slasher novel about women, written by a woman, that impresses with both beauty and …continue reading Now Read This: Like I Used To
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Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
No Notes: Planes, Trains & Automobiles
Join us for Kelly's pick as she serves up an all-time holiday
classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
”I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent.”
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