The “Last Shift” reimagining “Malum” is a thrilling, terrifyingly sadistic spectacle that proves sometimes you can fix what isn’t broken. Admittedly, it’s an unusual …continue reading Reel Review: Malum (2023)
On this week’s episode, George and his special guest discuss “Predator”, the massive action-horror hit with stunning effects and iconic characters. An elite paramilitary …continue reading Best Little Horror House: Predator
On this week’s episode, George and his special guest discuss the atmospheric, low budget horror film with a strong female protagonist, “Last Shift”. A …continue reading Best Little Horror House: Last Shift (2014)
Dread is pure psychological horror from the brilliant mind of Clive Barker — a chilling and devastating film that is utterly unforgettable After the …continue reading Take Two Review: Dread (2009)
31 Days of Horror: Day 29 Last Shift (aka Paymon, The King of Hell) is the newest horror movie from up-and-coming talent Anthony DiBlasi. His …continue reading Reel Review: Last Shift
31 Days of Horror: Day 28 Dread (2010) is a psychological thriller and unflinching horror film from first time director Anthony DiBlasi, originally released as part …continue reading Reel Review: Dread
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
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