Who says horror isn’t romantic? Celebrate Valentine’s Day with a look at 15 of the best, most swoon-worthy couples in horror history. Now, just …continue reading Love and Blood: 15 Great Horror Romances
I’m here to propose a “dead kid and grief-filled” triple feature that might give you that powerful emotional cry you need after a hard …continue reading Triple Threat: Grief Beyond the Grave
We talk horror and “Hall” with Death himself, genre icon Julian Richings, whose latest outing once again proves there’s nothing he can’t do. If …continue reading Interview with Genre Icon Julian Richings
Beneath the humor and supernatural frights, “Anything for Jackson” is a powerful empathetic horror film about guilt and grief. Grief is an emotion that …continue reading Frights and Feelings: Anything for Jackson
The Canadian horror film “Anything for Jackson” is a clever, genre-blending gem that takes the viewer on a surprising and extremely satisfying ride. A …continue reading Nightstream Film Fest: Anything for Jackson (2020)
We talk with “Supernatural” fan fave Julian Richings about his new film slaying the festival circuit “Anything for Jackson”, and about his love of …continue reading Interview: Julian Richings (“Anything for Jackson”)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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