Cuts & Guts: An incredible look at how the large spider in “Itsy Bitsy” was crafted, and how filmmaker Micah Gallo created strong emotional …continue reading Itsy Bitsy: A Talk with Director Micah Gallo
A terrifying arachnid nightmare with a surprising amount of heart, Scream Factory’s “Itsy Bitsy” is the modern creature feature we’ve been waiting for. We …continue reading Reel Review: Itsy Bitsy (2019)
Help fund “The Return of the Näcken”, a dark, surreal fantasy/horror film about a forlorn water demon and her lonely quest for human souls. …continue reading Fund It Friday: The Return of the Näcken
We talk with writer, director, producer and actress Natasha Pascetta about her horror short “Road Trash”, working with horror royalty, and much more. Natasha …continue reading Behind the Lens: Natasha Pascetta
“Road Trash” is a fun and inventive debut horror from Natasha Pascetta, who proves herself to be a talented filmmaker both in front and …continue reading Cinepocalyse 2019 Horror Short “Road Trash”
“Achoura” is a dark, uncompromising and beautifully executed monster movie that kept me fully engrossed — and left me wanting even more. The past is …continue reading Cinepocalypse 2019 Review: Achoura
The combined talents of Castle and Price make “The Tingler” an essential classic in spite of its dubious reputation; here are 21 fun facts …continue reading Eerie Essentials: The Tingler (1959)
A stunning directorial debut from A.T. White, “Starfish” is a deeply personal and beautiful apocalyptic tale of loneliness, loss and Lovecraftian horror. “Is this …continue reading The Haunting Melody of “Starfish” (2018)
Davide Melini’s “Lion” is a masterpiece of short horror — a socially conscious, dark fantasy/creature feature that’s as entertaining as it is eye opening. …continue reading Horror Short: Lion (2017, Davide Melini)
With excellent creature effects, satisfying gore, a stellar cast, and side-splitting humor, “Cynthia” is a bundle of pure horror comedy joy. A bloody entertaining …continue reading Sneak Peek: An Early Review of “Cynthia” (2018)