“Aileen Wuornos: American Boogeywoman” is a harrowing and heartbreaking fictionalization of the making of a real-life monster. The most frightening thing about the Aileen …continue reading “Aileen Wuornos: American Boogeywoman” (2021)
Though it may sacrifice some accuracy for story, “Ted Bundy: American Boogeyman” brilliantly captures the heart of real-life horror. I Believe in the Boogeyman… …continue reading TED BUNDY: AMERICAN BOOGEYMAN (2021)
We talk with model, blogger and actress Lydia Hearst Hardwick about “The Haunting of Sharon Tate”, her career, and her love of horror. Based …continue reading Women in Horror: Lydia Hearst Interview
Powerful and unapologetic, “The Haunting of Sharon Tate” is an alternate study of the murders at Cielo Drive and of a young woman’s unfulfilled …continue reading Take Two Review: The Haunting of Sharon Tate
Suspenseful and well done, “The Haunting of Sharon Tate” is a compelling film, with a twist ending true crime and horror fans will love. …continue reading Reel Review: The Haunting of Sharon Tate (2019)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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