The potential for greatness in “The Lake” is there, but the story fails to captivate and the strong creature visuals are rarely on display. …continue reading Reel Review: The Lake (2023)
“Cube” (2021) is a rare instance of a Japanese remake that doesn’t compare to its Western counterpart, rather than the other way around. If …continue reading Foreign Friday: Cube (2021)
We explore a couple of odd new releases and help you decide if Netflix’s “Umma” and the foreign VOD release “NR. 10” are worth …continue reading Adventures in Movies: Umma and NR. 10
Fans of extreme horror will likely want to check out “Breeder”, a nasty but well-made, well-acted, and compelling film out of Denmark. Aging isn’t …continue reading Foreign Friday: Breeder (2020)
A smart, surprising slow-burn that builds to a satisfying climax, the Argentinian horror film “Welcome to Hell” is a devilish delight. An unconscious pregnant …continue reading Reel Review: Welcome to Hell (2022)
Chaos and Carnage conclude Pride Month by discussing “Thelma” along with other great films, plus sharing their personal Pride journey. Sometimes the most terrifying …continue reading They Mostly Podcast at Night: Thelma (Pride Month)
The new horror-comedy “The Passenger” is a wacky, bloody, wonderfully gory trip — a love letter to monster movies and a damn worthwhile ride. Some …continue reading Reel Review: The Passenger (2022)
We end Shocktober at the beginning, where many claim the genre finds its origins. Let’s discuss the haunting masterpiece of “Dr. Caligari”. The Most …continue reading They Mostly Podcast at Night: Cabinet of Dr. Caligari
Relying heavily on shock, “The Day of the Lord” doesn’t really bring anything new to the sub-genre, but it doesn’t lack entertainment value. There …continue reading Terror Tuesdays: The Day of the Lord (2020)
The first Horror film released in Soviet Russia is worth watching for the benchmark it sets, as well as the off-the-wall ending. A priest …continue reading The Daily Dig: Viy (1967)
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