Spain is a beautiful country, but they export some of the most terrifying tales imaginable — specializing in creeping tension and surprising stories. No …continue reading Foreign Horror: Five Best From Spain
When thinking of foreign horror, South Korea may not immediately spring to mind, but the country produces some real gems, including these five standouts. …continue reading Foreign Horror: South Korea’s Best
While America has produced some true horror classics, foreign horror continues to shock, scare, and satisfy in ways we are hard pressed to match. …continue reading Why Is Foreign Horror Better?
Talking women in the genre, onscreen violence, the cathartic power of horror and more with Chilean model, actress and “Trauma” star Ximena del Solar. …continue reading Women in Horror: Ximena del Solar (Trauma)
Exclusive: The extreme horror anthology “Ill” explores the fear of contamination, bringing together four of the word’s most subversive filmmakers. Something truly exciting has …continue reading 2019 Most Wanted: Ill (Extreme Horror Anthology)
“Brutal”, the upcoming Japanese release from Unearthed Films, is a relentlessly paced, highly provocative extreme horror film with a vicious love story. I’m not …continue reading Sneak Peek: Takashi Hirose’s “Brutal” (2018)
Believe the hype! Our writer, Patrick Krause, agrees that the Argentinian horror film, TERRIFIED, is one of the scariest films of 2018. “Oh my …continue reading Reel Review: Terrified (A Shudder Original)
Timo Tjahjanto takes the time to truly frighten in his latest film “May The Devil Take You” that can be best described as the …continue reading Fantastic Fest Review: May the Devil Take You
Visceral: Between the Ropes of Madness is a dark, brutal, nightmarish tale that packs a very powerful punch for fans of unrelenting, extreme horror. …continue reading Reel Review: Visceral (2012)
While perhaps not quite as terrifying as many have claimed, Veronica is an effectively creepy supernatural tale inspired by chilling true events. As a …continue reading Reel Review: Veronica (2017)
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