The story has promise when you mix aliens, horror, and the wild west of the badlands, but it does not deliver much of anything …continue reading The Daily Dig: High Desert Kill (1989)
A natural horror that steps across the line into the supernatural with the Yeti myth but fails to deliver much fur. A mysterious beast …continue reading The Daily Dig: Snowbeast (1977)
More soap-opera than slasher, this mystery thriller — which resembles the seventies — has a small bite and a quiet bark. A woman unhappy …continue reading The Daily Dig: Nightkill (1980)
Glorified fan fiction somehow made it to the small screen in this “Psycho” spin-off that shows only a glimpse of a Norman Bates impostor. …continue reading The Daily Dig: Bates Motel (1987)
“Child in the Night” is an enjoyable made-for-TV slasher with a recognizable cast whose strong performances make it all worthwhile. A young boy witnesses …continue reading The Daily Dig: Child in the Night (1990)
“Buried Alive” is a decent film that relies on strong direction and a simple plot — since blood, guts, and nudity weren’t an option. …continue reading The Daily Dig: Buried Alive (1990)
Guilty Pleasures
Guilty Pleasures
She’s a lover, he’s a fighter. Together, they’re CHEER AND LOATHING. Tune in to hear your hosts, Stephanie (Cheer) and Casey (Loathing), clash over the films they love — and the ones they love to hate.
Afterglow: Bait (Plus Meg)
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
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