
A visually and emotionally captivating retelling of a fairytale classic with an unexpected twist, “Belle” is an extraordinary experience. Told in chapters, Belle (2023) …continue reading Reel Review: Belle (2023)
A visually and emotionally captivating retelling of a fairytale classic with an unexpected twist, “Belle” is an extraordinary experience. Told in chapters, Belle (2023) …continue reading Reel Review: Belle (2023)
It may be a dumb Hallmark holiday, but we have a bloody good time talking about 2009’s guilty pleasure slasher “My Bloody Valentine”. Welcome …continue reading Guilty Pleasures: My Bloody Valentine (2009)
Though “3 Demons” is competently made, it lacks the originality or story depth to stand out from a crowded field of supernatural horrors. When …continue reading Reel Review: 3 Demons (2022)
In the vein of eighties teen horror, it’s as campy as you’d want and expect, and all the tropes and stereotypical gags are present. …continue reading The Daily Dig: Shredder (2001)
A faithful and competent adaptation of H.P. Lovecraft’s source material, “Witch House” mostly succeeds but still leaves you wanting more. These days, starting a …continue reading From Beyond: H.P. Lovecraft’s Witch House (2022)
“Last Radio Call” packs a lot of scary goodness into a relatively short found-footage film best watched alone at night with the lights off. …continue reading Reel Review: Last Radio Call (2022)
Despite pacing problems, “Lost Angel” offers a compelling mystery with strong performances; an enjoyable watch but patience is required. Lost Angel is a thriller …continue reading Reel Review: Lost Angel (2022)
Perhaps no movie has made the journey from critical and commercial flop to misunderstood cult classic quite as quickly as “The Empty Man”. Based …continue reading Reel Review: The Empty Man (2020)
James Wan’s “Malignant” is insane and understandably polarizing, but it’s also a shining example of an unrestrained horror master at work. “A New Vision …continue reading Reel Review: Malignant (2021)
We talk horror and “Hall” with Death himself, genre icon Julian Richings, whose latest outing once again proves there’s nothing he can’t do. If …continue reading Interview with Genre Icon Julian Richings
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