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“Smile 2” delves deeper into the interplay of trauma, mental health, and horror, amplifying the original’s terror and emotional anguish.

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I’m grinning ear to ear. Not because I’ve been cursed, but because Smile 2 was such a phenomenal sequel to the movie that first brushed up against my scars so strongly. Smile took jump scares and flipped the script, making them meaningful instead of the hollow “gotcha” moments we often get startled by.

I’m writing this review from the angle of a current trauma patient who has undergone prolonged exposure therapy with great success. Prolonged Exposure is a sort of torture; the cure seems worse than the disease at first if you’ve seen any videos.

Smile, like repeating your trauma in real time, forces you to gaze agonizingly into the face of pain while trying not to break down.

To me, the scares in these films represent hypervigilance, that feeling like everyone is watching you when you’re out and about. I see Smile 2 as its own form of prolonged exposure for audiences riled up by the first film—not just scaring us but terrorizing us. This was a soothingly scary watch for me as I curled up with my darkest memories.

FIRST ACT PLOT SPOILERS AHEAD

We join Joel (Kyle Gallner) six days after the death of Dr. Rose Cotter (Sosie Bacon). He’s looking worse for wear, typical of someone coping with mind-bending hallucinations and wide-eyed nights begging for sleep, overwhelmed with nightmares. He’s watching a house, seeing the occupant return as he dons a ski mask and approaches, pulling his weapon and pushing the man into the house.

Joel is familiar with the brothers in the house, drug dealers, alleged murderers, and bad people. We start to see where Joel’s mind is headed when we remember how and why the curse is passed.

In a flash, Joel guts the man with a knife in front of his brother, effectively ridding himself of the curse. Though he kills the intended victim for the curse, there’s another person in the room, a young man named Lewis (Lukas Gage). Saying this wasn’t meant for the witness, Joel flees and is killed suddenly, forming a perfect bloody smile on the pavement. It has begun.

On the Drew Barrymore show, Drew introduces guest Skye Riley (Naomi Scott), a blossoming young artist on the rise who is having her first public appearance after a traumatizing car crash was where an actor she was seeing, Paul Hudson (Ray Nicholson), died in the wreck. Drew asks for details about difficulties Skye faced about a year ago, to which Skye admits she drowned her sorrows in drugs. Still, she’s ready for her meteoric rise beginning in New York (what better place for the smiling entity to hide?)

When asked how she’s been doing now, we see Skye tearing her hair out as she weeps, which is replaced with the perfectly polite answer everyone was expecting.

Mobbed by fans as she leaves, Skye puts on a brave face. She reminds me strongly of Rose Cotter, the perfect PTSD patient model, already exhibiting symptoms but desperate for personal and career success, that they both push through their anxiety and vulnerability, ignoring the root of the problem. Her rehearsal of a new track and dance reveals through lyrics the pain that Skye is navigating in mental health, begging for help before whatever is consuming her ends her life.

A scar on Skye’s back (along with a long one down her stomach) causes pain as she pushes herself to the limit to deliver a final product, in spite of the hurt emotionally and physically from the accident. After dropping her drugs down the sink by accident, the car ride is painful in every sense of the word, and Skye breaks down and texts her connection.

Ditching her managers, Skye heads out to score, when she arrives though, it’s none other than Lewis, looking even worse than Joel had. He drags her inside, putting a blade to her throat, insisting she wouldn’t just show up there, not remembering texts that he had supposedly sent to Skye. He is screaming that he’s had the worst week as he snorts up cocaine, saying he’s involved in some “haunted house shit.” He manically makes room for her, offering her a pharmaceutical cocktail which she declines, she just wants the Vicodin.

Lewis disappears, and the television blaring swaps to a story about Skye and her partner, the issues they had, and the scandal raised by the accident.

This first act of the film is breakneck for a starter, so I’ll leave it here.

Stunning camera work complements special effects and jaw-dropping performances.

You could have someone suddenly leaping towards you or inching, and the camera eats up the story from every angle, guiding you in and out of the intensity of each scene. Classically inverting itself like the original, the upside-down camera lives in Smile 2.

Kyle Gallner has always been a star and one of my favorite scream kings; he returns to the character of Joel with the same level of care and conscience regardless of screen time. Naomi Scott, as lead, is a stunner. The emotional range is an understatement as Scott rides the pendulum back and forth through tumultuous sadness and an even sharp sensation of fear. She effortlessly embodies Skye’s will to live and the deep wounds that make her feel like dying.

Practical and special effects pair nicely to create a bloody cinematic mess with kills you won’t forget and trails of blood you’re scared to follow.

A somewhat gorier feature with more blood and similarly high tension, this sequel is not to be ignored in what it brings to the table. Where the first approached it straight from the mental health perspective, the sequel focuses on art and the emotion of music, songs laid bare to tackle pain. Using art to display how the demon and Skye’s emotions wreak havoc on her was a brilliant play. Now, to the trauma.

I told myself if I looked away, I’d be dishonoring the story, but just barely in, I was tested.

This movie hits the jackpot at delivering a mental health message.

It practically beats the message into you, from the song lyrics to the scares, which are sometimes plausibly realistic in a terrifying sense, like Skye’s super fan.

I see that moment where the smile takes control, and everything in me feels like and thinks it looks like a severe panic attack. Have you ever gotten so scared you choked? Hyperventilated so intensely you blacked out? I see this gagging, choking, fearful hold in their last moments as they fight the smile and see the definition of panic.

This film claimed more lives than the last and shows that simply seeing something terrible has immense power over our minds and how they operate. It seems that merely seeing something shouldn’t mean it has power over you, but memory is near eternal, and those thoughts lurk. Be it scars on your body and mind or a delusion that everyone around you doesn’t love you, much like Skye, you hold trauma like a passenger inside you as it stalks your thoughts, and trauma feeds on your pain, perpetuating more.

Smile 2 is a salient follow-up to the original, taunting us with the one thing in the world we sometimes feel we can’t do: curl those lips and grin back at the darkness.

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