A twisty thriller with an ending you won’t see coming, “What Lies Ahead” is a trip worth taking if you’re willing to strap in …continue reading Reel Review: What Lies Ahead (2019)
Using one main setting to great effect, Adam Green’s “Frozen” is a horror movie that shows the all too real dangers of Mother Nature. …continue reading Take Two Review: Frozen (2010)
What can we learn from this early 80s unknown Italian sex-filled exploitation classic? Let’s dive into the sexy, sleazy “Black Candles” and find out. …continue reading Flashback Friday: Black Candles (1982)
Help support indie horror and contribute to “Black Mass”, a new gothic short horror film about demons and depression now crowdfunding on Kickstarter. If …continue reading Fund It Friday: “Black Mass” (A Gothic Horror Film)
As if you needed a reason to watch more horror, we explore the proven benefits of fear and the many types of genre films …continue reading Watch More Horror: Genre Film Benefits and Types
A simple story belies the tremendous depth of “Possum” — an unsettling exploration of grief, guilt, and the haunting effects of unresolved trauma. “Mother, father, …continue reading Exquisite Suffering: “Possum” (2018) Review
An underrated feminist horror film, “Let’s Scare Jessica to Death” is an eerie and chilling exploration of mental illness mixed with the supernatural. The …continue reading Shudder Sunday: Let’s Scare Jessica to Death
Josh Malerman’s novel “Bird Box”, and the film adaptation directed by Susanne Bier, delivers psychological horror through a realistic world gone mad. When I …continue reading Page to Screen: Bird Box (Novel and Film)
The cult classic “Near Dark” is a standout in the vampire sub genre, with Kathryn Bigelow proving her talent long before she was an …continue reading Terror Tuesdays: Near Dark (1987)
Blending elements of several sub genres, “Wretch” is a rich and compelling psychological thriller/supernatural creature feature that keeps you guessing. Wretch follows three friends …continue reading Reel Review: Wretch (Brian Cunningham, 2018)
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