The 2024 horror scene may not have been perfect, but the good far outweighed the bad; we take time to recognize some of the year’s best.
Stopmotion
We may have taken a walk along the dark side with our last episode, diving into the worst of 2024 horror—or at least the films that resonated with us the least. But we’re back on the bright side of life, celebrating the best of a great year in horror.
There was a lot of killer content in 2024. The Substance has rightfully received the lion’s share of attention. Along with the fantastic performances from Moore and Margaret Qualley, it has a great story and fantastic gore. It is not just one of the best horror movies of the year; it can stand up to anything that was released last year.
Independent Horror had a record-setting year. Late Night With the Devil became the biggest release in the history of IFC. It offered a unique take on found footage and has some of the most memorable moments of the year.
Thanks in part to its clever marketing campaign, Longlegs became a surprise box office hit. We talk about why it still resonates with us and what it means to genre cinema in general.
Some of the best horror films of the year flew under the radar. Stopmotion featured some of the best storytelling of the year. Realm of Satan delivered a unique look at Satanists, and Falling Stars surprised with a modern folk horror tale that was relatable and creepy.
We have a lot to talk about on this week’s show!
ABOUT THIS PODCAST:
Every week AIPT Movie Editor Nathaniel Muir and his cinema partner in crime Blake Heath discuss indie and genre movies you have have never heard of, the ones you cannot hear enough about, and the ones you never want to hear about again.
Episode 369: ‘Find Your Friends’ (2026)
Aside from Art the Clown, what has Damian Leone contributed to horror? We also come dangerously close to gatekeeping while we discuss what extreme horror is. Plus a discussion on the 28 Years franchise somehow leads to a talk about The Bride.
We spend a good amount of time talking about Find Your Friends. About 98% of it is spent on the film’s writing. It does not take long to realize this is not a good thing. There have been plenty of movies that have led to a discussion about the writing. There has been nothing like this one.
The movie clearly deals with sensitive subjects. But it does it in a way that downplays the circumstances, the victim, and its heady themes. It is so bad that we have to constantly reiterate how we are not shitty men. (Who knows? Maybe we are. But that’s a different matter.)
How bad was the writing for Find Your Friends? So much so that we were constantly filing in story beats to make it make sense to us. And even then, we were still frustrated by what we had seen. This movie had all the ingredients to tell a powerful story about how women are treated. It instead was content to erratically work towards its admittedly wild finale.
Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.
Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.
Music in the background from https://www.FesliyanStudios.com
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Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror.
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