A grotesque, twisted fusion of flesh and metal, “Tetsuo: The Iron Man” delivers a shock to the systems with impossible-to-forget visuals. TETSUO: THE IRON …continue reading Viewer Discretion Advised: “Tetsuo: The Iron Man” (1989)
A brilliant and punishing portrayal of the horrors of war, the likes of which you’ve never seen, “Come and See” leaves you forever changed. …continue reading Viewer Discretion Advised: Come and See (1985)
As controversial for its maker as it is for the shape it takes, “The House That Jack Built” asks us to consider: at what …continue reading Viewer Discretion Advised: The House That Jack Built (2018)
Some movies change us, some movies stay with us forever, and some movies never lose their hold over us — movies like “The Exorcist”. During …continue reading Cinematic Love Letters: The Exorcist (1973)
For those willing to brave cinematic depths and confront the most challenging celluloid, “Begotten” is an experience you won’t soon forget. BEGOTTEN (1989) THE …continue reading Viewer Discretion Advised: Begotten (1989)
These six shockingly subversive flicks may be less notorious than some well-known disturbing films, but they are no less noteworthy. If curiosity ever gets …continue reading Six Sick Flix: Lesser-Known Disturbing Films
With great atmosphere and effects, “Dark Harvest” offers plenty of seasonal treats, but a messy narrative keeps it from fully delivering. In 2006, author …continue reading Reel Review: Dark Harvest (2023)
We’re back with ten more shocking and brutal banned horror films that dared to go to extremes, courting controversy and ending in infamy. When …continue reading Banned Horror Films (Part 2)
Failing to receive the lasting recognition it so deserves, Romero’s “Land of the Dead” has only gotten better and more relevant with time. On …continue reading Horror History: Land of the Dead
It’s not hard to understand why Joe Dante is so inspired by “The Last Man on Earth” given its undeniable impact and influence on …continue reading Dante’s Inferno: The Last Man on Earth (1964)
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